Debut 1997-06-13 · Last played 2026-07-15 · 52 performances
Gap — the number of shows the band played between one
performance of this song and the one before it.
← → the songs either
side, played as separate songs. > and
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2023-04-14FriClimate Pledge ArenaSeattle, WARated 55 · ListenBefore / afterBlaze OnSample in a JarGap28SET 1
2022-07-23SatBethel Woods Center for the ArtsBethel, NYHighly rated 80 · ListenJam chartThere's Utica. There's Mann. Since 09, however, one can easily argue this is the band's best performance of a song that, when examining its history -- like "The Wedge," or, to a lesser degree, "Esther"-- shifts shapes through a number of manifestations and, as such, deserves extra consideration. Or not. Simply enjoy an excellent rendition that, true to any form, features on-point Fish and incredible Trey.Before / afterTurtle in the CloudsMy Sweet OneGap25SET 1
2009-11-28SatTimes Union CenterAlbany, NYRated 52 · ListenBefore / afterJoyBackwards Down the Number LineGap49SET 1
2.04 shows2003–2004
2004-06-24ThuVerizon Wireless Music CenterNoblesville, INBefore / afterBack on the TrainMy Mind's Got a Mind of its OwnGap19SET 1
2003-08-02SatLoring Commerce CentreLimestone, MEBefore / afterTwo Versions of MeLimb By LimbGap9SET 1
2003-07-21MonVerizon Wireless Music CenterNoblesville, INBefore / afterThe Old Home PlaceBirds of a FeatherGap9SET 1
2003-07-08TueCoors AmphitheatreChula Vista, CABefore / afterDown with DiseaseSecret SmileGap22SET 2
1.023 shows1997–2000
2000-10-01SunBlockbuster Desert Sky PavilionPhoenix, AZBefore / afterBeauty of My DreamsThe Inlaw Josie WalesGap14SET 1
2000-09-11MonTweeter CenterMansfield, MABefore / afterBrian and RobertHornGap14SET 1
2000-07-01SatMeadows Music TheatreHartford, CTHighly rated 81 · ListenJam chartRelatively rote yet impassioned play begins to build, and build (check out the fan reaction around 8:08), as Trey trills, slashes, and powers the version to a blistering peak. This yields to cool riffing, with Mike and Fish locking in to form a fun run with Trey augmenting his tone before, with Page pounding upon his keys, the musicians break free to bring the version to a close.Before / afterRoggaeDirtGap38SET 1
1999-10-10SunPepsi ArenaAlbany, NYHighly rated 85 · ListenJam chartCool version and another unmistakable "99". Trey's approach is notable, in that he opts for more direct and straightforward, fiery play, which, offset by Page, builds not so much to a peak, but a crazy sort of cacophony. This culminates in a grinding, shreddy sort of release.Before / afterDirtStashGap4SET 1
1999-09-21TuePima County FairgroundsTucson, AZHighly rated 94 · ListenJam chartIf not quite a carrion, than perhaps a clarion call to the desert's mystic surroundings. Trey breaks from the vocals to launch an all-out assault, his signature 1999 tone on full display. After setting a loop, Trey's beautiful, patterned soloing, artfully phrased, is matched by Page, with Mike soon leading the band through deep and cerebral play. Fish's perfect off-beat and stylized play soon smooths, with Trey's cool, slashing chording informing the -> "LxL". Awesome.Before / afterStrange Design-> Limb By LimbGap4SET 2
1998-11-27FriWorcester Centrum CentreWorcester, MARated 76 · ListenJam chartRearranged and redefined (see History), the band offers another strong version, at home in another strong first set. The band breaks again for more ambient play, moored by some serious Trey sustain which fades to cool into a swirling ambient pool. After passing through a passage of concerted "noise", Fish drives the band to a rocking conclusion.Before / afterDogs Stole ThingsWhen the Circus ComesGap32SET 1
1998-08-06ThuLakewood AmphitheatreAtlanta, GABefore / afterBeauty of My DreamsTrain SongGap5SET 1
1998-07-29WedRiverport AmphitheaterMaryland Heights, MO
NoteDebut of new arrangement.
Before / afterFarmhouse >GlideGap28SET 1
1997-12-13SatPepsi ArenaAlbany, NYHighly rated 84 · ListenJam chartClearly comfortable, the band works through the intro into an awesome "middle" section featuring, unsurprisingly, inspired and deft play from Trey. The song loses its shape to assume a different form, the jam cooling after the 5:30 mark to become decidedly - and pleasantly - spacey, before a spirited return to the song's closing refrain.Before / afterSample in a JarTubeGap21SET 1
1997-08-17SunLoring Commerce CentreLimestone, MEBefore / afterDogs Stole ThingsWater in the SkyGap4SET 1
1997-08-11MonDeer Creek Music CenterNoblesville, INHighly rated 81 · ListenJam chartThe band still toying with set placement, here, "Vultures" anchors the second set for the second time, and with great results. While a true appraisal will only coincide with the arrival of a crisper AUD (or SBD!), what IS clear is that Trey has grown comfortable playing within the "confines" of the composition's compact form, his soloing crisp and rich with both discordant and melodic variation, and really impressive phrasing.Before / afterPiper> My SoulGap5SET 2
1997-08-03SunGorge AmphitheatreGeorge, WAHighly rated 84 · ListenJam chart> "Dirt", the version demonstrates considerable growth over a short period of time. Page's fills fall like scales between Fish's off-kilter percussion, the jam itself a revelation. Trey's riffing and soloing is forceful, with each musician acutely attuned and playing "out" as if a means to somehow reign their sound "in". Impressive.Before / afterDirt >My Mind's Got a Mind of its OwnGap2SET 1
1997-07-31ThuShoreline AmphitheatreMountain View, CABefore / afterWhen the Circus ComesMcGrupp and the Watchful HosemastersGap6SET 2
1997-07-22TueWalnut Creek AmphitheaterRaleigh, NCBefore / afterBouncing Around the RoomBye Bye FootGap8SET 1
1997-07-02WedParadisoAmsterdam, North HollandRated 55 · ListenBefore / afterGinseng SullivanWater in the SkyGap5SET 1
1997-06-13FriThe S.F.X. CentreDublin, County DublinRated 68 · Listen
NoteDebut.
Jam chartPlayed twice during "Bradstock" (6/6/97), "Vultures" properly debuts in Dublin, a month before the band's historic 1997 summer tour. While the song will be reworked over the coming years, its essential elements are place, namely super intra-band improvisation, working within the "context" of the song's form, framed, in large part, by incredible percussion and rhythmic variation.Before / afterWater in the SkySlave to the Traffic LightGapDebutSET 2
1997-06-06FriBrad Sands's and Pete Carini's HouseCharlotte, VTRated 62 · ListenBefore / afterWater in the SkyDirtGapNot a showSET 1 · 2×