Debut 1986-10-31 · Last played 2026-07-22 · 481 performances
Gap — the number of shows the band played between one
performance of this song and the one before it.
← → the songs either
side, played as separate songs. > and
–> are phish.net’s own marks, and mean the
band ran them together rather than stopping between them.
Times Played
481
Median Gap, Last 10 Years10 Yr
9
Median Gap, All-Time
3
Longest Gap
21
Current Gap
Best version1994-12-29VenueProvidence Civic Center, ProvidenceScore96Hear itListen · Details
2025-06-21SatSNHU ArenaManchester, NHBefore / afterBold As Love >WilsonGap5ENCORE
2025-04-23WedBill Graham Civic AuditoriumSan Francisco, CAJam chartA "long" intro, when measured against recent versions: Hear the first indication this time's gonna be different. Trey scratches. We're off. A near-perfect composed section. Great tempo. Measured, highly musical and if not dark, nothing by way of light play ensues. Yet. Listen for "McGrupp." A change. More by way of major play, now, and more "McGrupp." Seamless. Trey and Page swap a lovely melody. Great almost stop-start playing. Almost. No "woos." Great - great - sustain with Page pounding his keys and listen to the release, a bit of trilling with the band as one roiling and rolling to "Bowie's" signature close. One of the best versions since the band returned.Before / afterThe Well >Character ZeroGap12SET 1
2024-12-28SatMadison Square GardenNew York, NYBefore / afterCavern >Gap9SET 2
2022-12-29ThuMadison Square GardenNew York, NYBefore / afterEverything's RightGap2SET 2
2022-09-04SunDick's Sporting Goods ParkCommerce City, COBefore / afterCrosseyed and Painless ->Loving CupGap6SET 2
2022-08-12FriAlpine Valley Music TheatreEast Troy, WI
Jam chartPeeling away just after 6:00, the jam rolls along with swinging feel-good vibes and a bit of countrty twang, then does a few fakeout returns before finally reverting back to "Bowie" at 10:30.
Before / afterSimple >Gap5SET 2
2022-08-03WedPine Knob Music TheatreClarkston, MIJam chartInterested in modern "Bowie's"? Clarkson, MI, is a safe bet. Part of a weather-blown, Jovi-colored and quite strange show, there's much to appreciate here, as Trey (listen for Page on his piano) takes the band through a few wonderful passages of electric, lightning-infused improv.Before / afterMy Friend, My Friend >CariniGap10SET 1
2022-07-20WedTD Pavilion at the MannPhiladelphia, PABefore / afterLonely TripGap13SET 2
2022-04-23SatMadison Square GardenNew York, NYBefore / afterWilson >MoreGap9ENCORE
Jam chartQuite the version in that it keeps the intricacy and speed of the traditional "Bowie" jam but in a major tonality and then swerves back to wrap in normal fashion.
Before / afterFreeGap14SET 1
2021-09-04SatDick's Sporting Goods ParkCommerce City, COBefore / afterTube >Gap12SET 1
2021-08-08SunRuoff Music CenterNoblesville, INBefore / afterCasual EnlightenmentGap9SET 1
3.084 shows2009–2020
2020-02-23SunMoon PalaceCancun, Quintana RooJam chartAlthough the composed section is a bit rough, the jam opens up much more than most recent versions. Moving into major mode around 5:45, the jam then modulates back and forth several times, adding texture. With some nice Page/Trey interplay, Fish and Mike keep the rhythm at a good clip with building intensity. Nice to see this oldie get some love!Before / afterWingsuitGap10SET 1
2019-12-06FriNorth Charleston ColiseumNorth Charleston, SCBefore / afterSilent in the Morning >Gap12SET 1
2019-07-10WedMohegan Sun ArenaUncasville, CTBefore / afterSteam >Gap6SET 1
2016-10-24MonVerizon Theatre at Grand PrairieGrand Prairie, TXBefore / afterRunning Out of Time >Gap15SET 1
2016-07-20WedBill Graham Civic AuditoriumSan Francisco, CAJam chartA fun, improvisational intro section harkens to the days of old, and Mike really shines in the jam. There's also a major mode shift in the jam, which while familiar at this point, nonetheless differentiates this version to some degree.Before / afterSanity ->Gap11SET 1
2016-07-01FriSaratoga Performing Arts CenterSaratoga Springs, NYBefore / afterCitiesFreeGap9SET 1
Jam chartClever major/minor mode contrasting by Page and Trey at a couple of different points, plus some good old fashioned tension provide the finishing touches for a solid year for "Bowie."
Before / afterCarini >The HorseGap8SET 3
2015-08-16SunMerriweather Post PavilionColumbia, MDJam chartSure there's a nice major mode shift, but to only mention that is to sell this solid Bowie short. There are several brief pauses, a Zappa-like technique which throws off the rhythm momentarily and keeps it interesting. Also a nice intro and good tension building. Minor flubs here and there are forgiven.Before / afterStash> PossumGap4SET 1
2015-08-11TueThe Mann Center for the Performing ArtsPhiladelphia, PA
Jam chartSome variation away from the boiler plate standard, including a brief major mode modulation, nice Trey/Page/Mike interplay, and a solid tension-filled trill section put this one in the jam chart zone.
Before / afterDog Faced Boy >FarmhouseGap10SET 1
2015-07-28TueAustin360 AmphitheaterDel Valle, TXBefore / afterWading in the Velvet Sea >Suzy GreenbergGap7SET 2
2013-07-22MonMolson Canadian AmphitheatreToronto, Ontario
Jam chartStandard "Bowie" jam breaks and modulates between modes several times beginning at 7:47, ending in the expected minor mode with good tension and a solid trill section.
Before / afterCavern >Gap2SET 2
2013-07-20SatFirstMerit Bank Pavilion at Northerly IslandChicago, ILBefore / afterCavern >Gap6SET 1
2013-07-12FriNikon at Jones Beach TheaterWantagh, NY
Jam chartAnother good one with multiple minor/major mode shifts. There's also some nice rhythmic shifting and percussive coloring from Fish from 6:53 - 7:57.
Before / afterRebaGap4SET 1
2013-07-05FriSaratoga Performing Arts CenterSaratoga Springs, NY
Jam chart-> in from "Cities." Very solid and interesting "Bowie" that shifts back and forth between minor and major modes several times. Upbeat jam contrasts nicely with the more "classic" 12/28/12 version.
Before / afterCities ->Gap5SET 1
2012-12-28FriMadison Square GardenNew York, NYHighly rated 88 · Listen
Jam chartAlthough essentially "Type I," Fish-directed rhythmic variations, which Trey and the others pick up on, leads to some excellent tension building as the jam progresses. Old-school style "Bowie."
2012-08-19SunBill Graham Civic AuditoriumSan Francisco, CA
Jam chartDespite some obvious flubs in the composed section, the jam is very good with buckets of tension and dissonance and strong Fish-directed rhythmic accenting.
Before / afterRoggaeGap4SET 1
2012-07-08SunSaratoga Performing Arts CenterSaratoga Springs, NYBefore / afterCavern >Gap3SET 2
2012-07-04WedNikon at Jones Beach TheaterWantagh, NYBefore / afterGumbo >AlaskaGap5SET 1
2012-06-28ThuKlipsch Music CenterNoblesville, INBefore / afterBug >Gap3SET 2
2012-06-22FriRiverbend Music CenterCincinnati, OHBefore / afterSaw It Again >Gap5SET 1
2012-06-15FriBader FieldAtlantic City, NJBefore / afterSneakin' Sally Thru the Alley >Gap5SET 2
2011-12-30FriMadison Square GardenNew York, NYBefore / afterSilent in the Morning >The Squirming CoilGap12SET 2
2011-08-09TueLake Tahoe Outdoor Arena at HarveysStateline, NVBefore / afterMeatBouncing Around the RoomGap3SET 1
2011-08-05FriGorge AmphitheatreGeorge, WABefore / afterRoses Are Free >Gap1SET 1
2011-06-03FriDTE Energy Music TheatreClarkston, MI
Jam chartJam shifts to upbeat, major mode at 7:46 and mostly remains there for some time before shifting back at 10:40. Great one but for some excessive string bending, or perhaps flat notes by Trey.
Before / afterFluffhead >WasteGap4SET 2
2011-05-28SatBethel Woods Center for the ArtsBethel, NYBefore / afterCavern >Gap2SET 2
2011-01-01SatMadison Square GardenNew York, NYBefore / afterMakisupa Policeman ->Gap4SET 2
2004-08-14SatNewport State AirportCoventry, VTHighly rated 90 · Listen
Jam chartTrey talks about writing "David Bowie" for 4 1/2 minutes before the song - well worth hearing. The jam itself is pretty decent with a nice little shift to major mode and an intense ending.
Jam chartA nice shift to major mode early on, then Trey, Page and Fish depart to extreme dissonance land. Not the prettiest, but it ain't straightforward.
Gap2ENCORE
2004-06-25FriAlpine Valley Music TheatreEast Troy, WIBefore / afterAnything But MeWolfman's BrotherGap5SET 1
2004-06-19SatSaratoga Performing Arts CenterSaratoga Springs, NYBefore / afterWalls of the Cave ->Gap3SET 1
Jam chartNow that's what I'm talkin' about! Blows out the door of "Bowie" almost immediately into multiple varied and solid movements and includes a nice midstream, full band "Tweezer" tease.
Before / afterHarry Hood >Gap5SET 2
2003-07-18FriAlpine Valley Music TheatreEast Troy, WIBefore / afterI Didn't KnowGap4SET 1
Jam chartFirst "Bowie" opener since 12/30/93. "Manteca"-like jamming early, then it breaks from the standard several times, only to return. Includes "Bowie" -> "Catapult" -> "Bowie" in the jam.
Jam chartAn early, bass-led section, unusual space mid-jam, and a brief major mode shift distinguishes this one from the vast majority of '98, '99, and '00 versions which are almost all entirely "Type I."
Before / afterBig Black Furry Creature from MarsWading in the Velvet SeaGap6SET 2
1999-07-31SatNaeba Ski ResortNiigata, NiigataHighly rated 88 · ListenJam chartThe duration of this jam may recall '94 -'95, but whereas those versions used their length to range far and wide, this one threatens to break away several times, but ultimately stays within striking distance of home, and explores explores every inch of the Type I "Bowie" format. Still, a notable performance, and one of the last big rides for the song.Before / afterAlso Sprach Zarathustra >Wading in the Velvet SeaGap6SET 2
1999-07-23FriPolaris AmphitheaterColumbus, OHBefore / afterBack on the TrainStrange DesignGap8SET 1
1998-11-14SatThe CrownCincinnati, OHJam chartA very good version, especially given the year, when "Bowie" was well past its improvisational peak. Gathering power as it progresses, the "Type I" jam builds on classic "Bowie" fundamentals - dark under and overtones, mounting tension, and strong musicianship by all four.Before / afterSomethingGap7SET 2
1997-12-29MonMadison Square GardenNew York, NYHighly rated 90 · Listen
Jam chartExcellent and thrilling version with strong musicianship. Mode shift out of typical (but very well played) "Bowie" at 13:55 into a great groove which peaks and returns to "Bowie" by 17:00.
Before / afterDown with Disease ->> PossumGap9SET 2
Jam chartLong intro with teases and a signal. A wonderfully upbeat, major mode movement develops and continues for about 5 1/2 minutes before cycling back to "Bowie." The rub: it takes 18 minutes to get to this departure from standard fare. Unfinished with a fantastic -> to "Possum."Before / after-> PossumGap3SET 2
1997-11-29SatWorcester Centrum CentreWorcester, MABefore / afterWater in the SkyGap8SET 1
Jam chartNice old fashioned "Bowie" that breaks free in a few spots and is flush with tension and dissonance.
Gap8ENCORE
1997-08-10SunDeer Creek Music CenterNoblesville, INBefore / afterRock A William ->Gap7SET 2
1997-07-30WedVentura County FairgroundsVentura, CAHighly rated 89 · Listen
NoteIntro featured Fish on vacuum and a Simpsons signal.
Jam chartFeatures an epic, mid-jam "Bowie" -> "Cities" -> "Bowie." And interspersed among a substantial amount of tight, well-played "Type I" jamming are several forays that get beyond "Bowie."
Jam chartCool jam with awesome Mike early on and a very different approach to "Bowie." Becomes typically intense as the jam progresses with strong Fish.
Before / afterWaste >Hello My BabyGap4SET 1
1996-07-05FriStadio OlimpicoRome, LazioBefore / afterScent of a MuleGap2SET 1
Jam chartJam almost immediately breaks into an unusual groove. Not way out there, but uniquely excellent.
Before / afterAlso Sprach Zarathustra >Sweet AdelineGap3SET 2
1995-12-11MonCumberland County Civic CenterPortland, MEHighly rated 89 · Listen
Jam chartHaunting, ghoulish and riveting version that includes a long intro. Fish kicks ass! Maybe not as exploratory as the summer '95s, but it compensates with twisted psychological tone.
Before / afterThe Curtain >The Mango SongGap4SET 2
1995-12-05TueMullins Center, University of MassachusettsAmherst, MABefore / afterEsther >I'm Blue, I'm LonesomeGap3SET 1
NoteHomer Simpson quotes ("mmmm... chocolate") and Simpsons signal.
Before / afterHold Your Head Up-> CatapultGap4SET 2 · 2×
1995-11-25SatHampton ColiseumHampton, VABefore / afterA Day in the Life >Billy BreathesGap3SET 1
1995-11-21TueLawrence Joel Veterans Memorial ColiseumWinston-Salem, NC
Jam chartGreat fall '95 version with a "Bowie" -> "Take Me To The River" -> "Bowie" in the jam and some thunderous and blistering exploration following the debut of this song popularized by Talking Heads.
Before / afterSimple ->-> Take Me to the RiverGap3SET 2 · 2×
1995-11-16ThuWest Palm Beach AuditoriumWest Palm Beach, FLBefore / afterA Day in the Life >LifeboyGap4SET 2
Jam chartAlthough it doesn't get way beyond "Bowie," this very good version includes a lot of little unexpected improvisational twists and turns and a psychedelic edginess.
Before / afterAlso Sprach Zarathustra >LifeboyGap4SET 2
1995-10-15SunAustin Music HallAustin, TXBefore / afterI'm Blue, I'm LonesomeGap4SET 1
1995-10-08SunAdams Fieldhouse, University of MontanaMissoula, MTBefore / afterDog Faced BoyKeyboard ArmyGap3SET 2
Jam chartA much more exploratory version than most Fall '95 "Bowies," which despite being very well played and intense, stick pretty close to the basic theme.
Before / afterCavern >LifeboyGap2SET 2
1995-10-02MonSeattle Center ArenaSeattle, WABefore / afterTela >Gap4SET 1
1995-07-03MonSummerstage at Sugarbush NorthFayston, VT
Jam chartAwesome, multi-faceted improvisation that doesn't sound remotely like "Bowie" until the final 3 minutes. Includes multiple teases and "Bowie" -> "Johnny B. Goode" -> "Bowie" in the jam.
Before / afterTimber (Jerry the Mule) >-> Johnny B. GoodeGap4SET 2 · 2×
Jam chartExtremely improvisational. Pretty much leaves "Bowie" in the dust following the composed section, only returning at the very end. A+ for exploration.
Before / afterFree ->Strange DesignGap4SET 2
1995-06-24SatThe Mann Center for the Performing ArtsPhiladelphia, PAHighly rated 89 · Listen
Jam chartSimultaneously rocking and dark, with 3 distinct and excellent movements, and with a psychological edge like many top Summer '95 jams.
Before / afterHalley's Comet >LifeboyGap4SET 2
1995-06-19MonDeer Creek Music CenterNoblesville, IN
Jam chart-> in from "Simple." Cool, somewhat unusual jam that begins without all the usual thrashing and dissonance. Has some "MLB"-like jamming and gets out there as it progresses.
Jam chart"Bowie" picks up right where it left off in Providence, and summer '95 includes a number of spectacular, "Big" versions. This first one, while sticking to the "Bowie" theme longer than most, is exploratory both within that framework, and certainly once it gets beyond.Before / afterHa Ha Ha >Strange DesignGap2SET 2
1995-06-13TueRiverport AmphitheaterMaryland Heights, MOBefore / afterThe LizardsGap2SET 2
Jam chartThe Legendary Providence "Bowie." Between the "DDL" jam in the intro, whistling, "Lassie" chatter, and creepy whispering, this one is more psychologically jarring than 11/26/94.
Before / afterDigital Delay Loop Jam ->Halley's CometGap4SET 2
1994-12-02FriRecreation Hall, University of California-DavisDavis, CAHighly rated 87 · Listen
NoteCosmic Country Horns.
Jam chartThe usual pugnacious, mean-spirited jam until 13:45, when it sounds like it's wrapping up. But then the band delves into more exploration. Throw in the Cosmic Country Horns for the trill section, and you've got yourself another "Big" improvisational version.Before / afterChalk Dust Torture >Buried AliveGap4SET 2
Jam chartThe Other One. All fans should be familiar with this version as well as Providence. Of the two, this one is more musically oriented. A downright masterpiece.
Before / afterHalley's Comet >Sweet AdelineGap4SET 2
Jam chart3rd "Big" '94 "Bowie." One of the most exploratory and improvisational versions ever. Includes some wild and crazy interaction with the audience.
Before / afterPeaches en Regalia >Yerushalayim Shel ZahavGap3SET 2
1994-11-04FriOnondaga War Memorial AuditoriumSyracuse, NY
Jam chartGreat tension and dissonance combined with moments of melodic beauty and calm. Like one of the big November '94 "Tweezers" with many movements, and all packed into a 10 minute jam.
Before / afterBouncing Around the RoomColonel Forbin's AscentGap3SET 1
1994-10-31MonGlens Falls Civic CenterGlens Falls, NY
Jam chartEssentially "Type I," but this is a textbook, immaculately played version with great tension.
Jam chartAnother strong fall '94 version, arguably the peak period in "Bowie's" storied performance history.
Before / afterPeaches en Regalia >The HorseGap3SET 2
1994-10-18TueVanderbilt University Memorial GymNashville, TNHighly rated 87 · Listen
Jam chartFantastic, multi-faceted version. Dissonance and Tension: check. Tempo and rhythmic shifts: check. But this one also has beautiful, upbeat jamming (aka major mode).
Jam chartEnchanting, Page-led early part to jam. At 9:00, Fish and Trey kick it up to more typically intense mode. At 12:25, a calm envelopes, before the storm returns. Excellent "Bowie."
Before / afterPeaches en Regalia >Bouncing Around the RoomGap2SET 2
1994-10-09SunA. J. Palumbo CenterPittsburgh, PABefore / afterBouncing Around the RoomGap4SET 2
Jam chartDissonant, rhythmic "Type II" jam has a cool "Jessica" jam at 12:45 that comes out of nowhere.
Before / afterLetter to Jimmy Page >Bouncing Around the RoomGap3SET 2
1994-07-10SunSaratoga Performing Arts CenterSaratoga Springs, NYBefore / afterSample in a JarGlideGap3SET 2
1994-07-06WedTheatre St. DenisMontréal, QuebecHighly rated 90 · ListenJam chartPatient, provocative, and playful jamming emerges near the 6:00 mark, a vestige from the intro, which features manic teasing. Truly cool improv follows, notable for hushed, eerie, thematic "non"-play , which, like a powerfully "weak" pulse, all but flat-lines - in the best possible way. Trey literally cycles through ideas, the band full of life and support, as the version builds and builds, before, while hinting at "DEG," comes to a classic, crashing, close.Before / afterCarolinaGap2SET 1
Jam chart"Bowie" -> "Catapult" -> "Bowie" in intro. Good solid summer '94 version, released on Live Bait 4.
Before / afterSilent in the Morning-> CatapultGap4SET 1 · 2×
1994-06-23ThuPhoenix Plaza TheatrePontiac, MIBefore / afterFrankensteinThe Mango SongGap4SET 2
1994-06-18SatUIC Pavilion, University of IllinoisChicago, ILJam chartBeautiful, descending four chord "Mind Left Body Jam"-like progression in the hi-hat intro. "Three Blind Mice"-like riffing segues into melodic hose, which in turn becomes a "DEG"-flavored, thrilling jam. "Voodoo Child" and "Purple Haze" teases in closing segment.Before / afterPeaches en Regalia >-> Mind Left Body JamGap3SET 2 · 2×
1994-06-14TueCivic CenterDes Moines, IABefore / afterDemand >If I CouldGap3SET 2
Jam chartSomewhat weird, but definitely exploratory version. "Tweeprise"-like jam for a bit and other forays.
Before / afterHold Your Head UpGap2SET 2
1994-05-03TueStarwood AmphitheatreAntioch, TNBefore / afterIf I CouldGap2SET 2
1994-04-30SatThe Edge Night ClubOrlando, FLHighly rated 88 · Listen
NoteAll Fall Down signal.
Jam chart> in from "Wilson." Cool little jam on "The Lion Sleeps Tonight" in intro. Some "DDJ"-like musing, an unusually quiet but probing early section, and then a gnarly, dissonant build, all making this final April '94 performance another strong one.Before / afterWilson >Wolfman's BrotherGap5SET 2
Jam chartFirst of the "Big" '94 "Bowies." This is an unbelievable journey of music and improvisation, spine tingling at times, and thrilling by the conclusion. And the best was yet to come.
Jam chartIncredibly exploratory version. Perhaps not beautiful music, per se, but this is fearless improvisation on display.
Before / afterSilent in the MorningGap4SET 1
1994-04-17SunPatriot Center, George Mason UniversityFairfax, VAHighly rated 88 · Listen
Jam chartYet another exploratory April '94 "Bowie." This one has great Mike, exploratory rhythmic shifting, and a cool breakdown jam at 10:10. Dissonance builds towards the end. Really, an awesome version.
Jam chartA very intense, high power version, loaded with tension and unusual rhythmic shifts, but not highly dissonant. Very solid.
Before / afterTake the 'A' TrainPurple RainGap4SET 2
1994-04-08FriRecreation Hall, Penn State UniversityState College, PA
Jam chartLike 1993, the band starts 1994 with an uninterrupted string of improvisational "Bowies." This one has a very cool, exploratory jam, but not so jarring and dissonant as most of the '93s.
Before / afterBig Ball Jam ->Suzy GreenbergGap5SET 2
1993-12-30ThuCumberland County Civic CenterPortland, MEBefore / afterWeighGap4SET 1
1993-08-26ThuArlene Schnitzer Concert HallPortland, OR
Jam chartPossibly the most deranged, sick, insane, and wild-ass version ever. AWESOME!!!
Before / afterAlso Sprach Zarathustra >LifeboyGap3SET 2
NoteBéla Fleck on electric banjo, Victor Wooten on bass, Roy “Future Man” Wooten on drumitar.
Jam chartBela Fleck and the Flecktones. "Bowie" -> "MLB" Jam -> "Bowie." Very improvisational version, really no surprise given the month and year. And the Flecktones are no slouches when it comes to improvisation. Nothing like Victor Wooten and Mike going at it, or Bela and Trey.Before / afterLawn Boy >-> Mind Left Body JamGap2SET 2 · 2×
Jam chartLong, very musically-oriented intro. Serious improvisation, but unlike many other strong versions, this one is far less dissonant and shrill. Rather, it is very rich musically, including little jams on "The Mango Song" and "Magilla."Before / afterHorn >Gap4SET 1
Jam chart"Bowie" -> "Donna Lee" -> "Bowie." After a gentle start, the jam grows typically dissonant and tension filled. Some "DEG"-like jamming adds to this effect.
Before / afterI Didn't Know-> Donna LeeGap6SET 1 · 2×
1993-07-17SatThe Filene Center at Wolf TrapVienna, VABefore / afterThe Oh Kee Pa Ceremony >Gap2SET 1
1993-07-15ThuCayuga County FairgroundsWeedsport, NY
Jam chartQuality over quantity. Short, yes, but they pack a lot of swift improv into this one.
Before / afterThe HorseGap3SET 2
1993-05-08SatField House, University of New HampshireDurham, NH
NoteSimpsons signal.
Jam chart"Bowie" -> "Jessica" Jam -> "Bowie" -> "Have Mercy" -> "Bowie." Awesome medley, but the "Bowie" sections are also outstanding. The pre-"Have Mercy" jam section is excellent but very different than any preceding version. Post "Mercy": the usual high wire shredfest.Before / after-> JessicaGap6SET 2 · 3×
Jam chart> in from "Glide." Very different from many of the preceding '93 versions. Jam begins with some melodic, almost upbeat playing by Trey. Returns to typical '93 "Bowie" by 8:00 with great tension.
Jam chart> in from "I Didn't Know." A good one with some "DEG"-like jamming to add to the dissonance factor. Machine Gun Trey in serious heavy action towards the end.
Before / afterI Didn't Know >Gap3SET 1
1993-03-14SunPaul Wright Gym, Western State CollegeGunnison, CO
Jam chartAnother sick one or, a great "Bowie" with incredible tension, varied jamming and an angry disposition. More twisted = More better.
Before / afterHalley's Comet >The Ballad of Curtis LoewGap2SET 2
Jam chartVicious, mean-spirited, dissonant, ripping guitar work, "outside-the-box" deviations, and teases taboot. All the ingredients are here for a classic '93 "Bowie."
NoteSimpsons, Random Note, and Oom Pa Pa signals in intro.
Jam chartIf you want to understand why "Bowie" has been so disappointing since really, the mid-'90s, just compare any recent version to this all-around fantastic one from a relatively unknown show.
Before / afterThe Landlady >GlideGap2SET 2
1993-02-13SatBob Carpenter Center, University of DelawareNewark, DEBefore / afterBouncing Around the RoomGap2SET 1
1993-02-11ThuHaas Center for the ArtsBloomsburg, PA
NoteRandom Note, Simpsons, Oom Pa Pa, and two Get Back signals.
Jam chart1992 was kind of an off year for "Bowie." But the band starts off 1993 with an excellent well-varied ripper here. All of February 1993 was strong for "Bowie."
Jam chartAn unusual, somewhat mean-spirited jam shifts at 8:25 to something akin to "Tweezer Reprise." Returns to normal "Bowie" and concludes with a hard rocking trill section.
NoteUp Up and Away, Random Laugh, Simpsons, Oom Pa Pa, and Aw Fuck! signals.
Jam chartFollowing an extended intro with a number of signals, the jam section immediately breaks into a flowy groove. Gradually adding energy and some expected tension, the playing latches onto a "Tweeprise"-like theme, adds more tension, settles into some quieter rhythmic play, then cranks back up for a full-throttle conclusion.Before / afterSuzy Greenberg >> The Man Who Stepped Into YesterdayGap3SET 2
1992-04-05SunThe Fox TheatreBoulder, COBefore / afterThe Landlady >Hold Your Head UpGap3SET 2
1992-03-12ThuThe Flynn TheatreBurlington, VTBefore / afterUncle PenCold as IceGap3SET 2
1992-03-06FriThe Music HallPortsmouth, NHNoteWill the Circle Be Unbroken? signal, two Get Back signals, Star Trek, Aw Fuck!, Up Up and Away, Tritone Down, and Me and My Arrow signals, two Complete Stop signals, and It Don't Mean A Thing if it Ain't Got That Swing and Simpsons signals.Before / afterAll Things ReconsideredGap5SET 1
1991-12-04WedE. Glenn Giltz Auditorium, SUNY-PlattsburghPlattsburgh, NY
NoteThree Charlie Chan signals, and Simpsons, Popeye, and Random Laugh signals in intro. The band responded to Popeye signal by singing a random note.
Before / afterBouncing Around the Room ->Gap2SET 1
NoteTwo Charlie Chan signals and Random Laugh and Simpsons signals in intro.
Jam chartLong intro with signals and banter while Trey hands out bathrobes to crew members. The largely straightforward jam includes spiraling tension and "DEG"-like jamming.
NoteFour Charlie Chan signals and Popeye, Simpsons, Oom Pa Pa, and Random Laugh signals in the intro. The band responded to Popeye signal by singing a random note.
Jam chartA prototypical early '90s version with an excellent, signal and tease-infused intro, a searing, intense, tension-loaded straightforward jam, and a raging and shredding trill section.
Jam chartThe Aquarium Rescue Unit joins the band. Great version with awesome scat singing early on followed by "DEG"-like jamming and an explosive ending.
Before / afterHorn >Take the 'A' TrainGap4SET 2
1991-10-31ThuArmstrong Hall, Colorado CollegeColorado Springs, CO
NoteTwo Charlie Chan signals and Random Laugh and Oom Pa Pa signals.
Jam chartA hilarious intro with elements of "Wait." Doesn't take long for Trey to get hooked on a repetitive melodic theme, but once the band tires of it, semi-dissonant "type II" improv ensues, though an "Oom Pah Pah" signal puts a stop to it and they return to a traditional "Bowie" jam.Before / afterWait ->HornGap2SET 2
NoteTwo Charlie Chan signals as well as Oom Pa Pa and Simpsons signals in intro.
Jam chart-> in from "Fee." Hits a melodic, major mode groove briefly before descending back into darkness.
Before / afterFee ->Gap3SET 1
1991-10-24ThuCrystal Ballroom, Hotel St. MichaelPrescott, AZ
NoteThree Charlie Chan signals and Oom Pa Pa, Simpsons, and Random Laugh signals in intro. Charlie Chan and Tritone Down signals during jam and screaming from Trey and Mike during end segment.
Jam chartExcellent intro (which begins at 1:18 on "TMWSIY" on the Spreadsheet and PhishTracks versions). Nice rocking and ripping jam is followed by an insane trill section which lots of wild screaming.
Before / afterThe Man Who Stepped Into Yesterday >Gap4SET 1
1991-10-17ThuGreat American Music HallSan Francisco, CABefore / afterSuzy Greenberg >Lawn BoyGap2SET 2
NoteHi-hat "solo" from Fish in intro. Three Charlie Chan signals and Oom Pa Pa, Simpsons, and Popeye signals. The band responded to Popeye signal by singing a random note.
Jam chartAlmost immediately breaks from the standard. Strong and dissonant improvisation, with an unexpected section of quiet space before the storm rebuilds. Short but powerful.
Jam chartAn upward spiraling, malevolent jam, as demented as they get, eventually gives way to insane shredding by Big Red.
Before / afterGuelah PapyrusLawn BoyGap1SET 2
1991-04-03WedBritt Ballroom, Southern Oregon State CollegeAshland, OR
Jam chartTrey starts the jam in the low octave range, giving the jam an evil tone. As he works up the register, the tension ratchets up, and the trill section is a shred fest with Fish also going berserk.
Jam chart"The Sounds of Silence" ->'s into a wonderfully noisy version, featuring improvisation that marks the very best "Bowie's," and, in spirit, Phish, generally. Following great composed play, hear a radical departure from the song, proper. Here, too, is a jam that is somehow both of (crazy changes and playful nature) and beyond (an expertly placed false-ending) its time. This is music for all ages.Before / afterBathtub GinGap3SET 2
1991-02-08FriThe Music HallPortsmouth, NHBefore / afterGuelah PapyrusGap3SET 1
1990-12-07FriRobert Crown Center, Hampshire CollegeAmherst, MA
Jam chartAlthough essentially "Type I," this is a sick puppy with mind-numbing tension, "DEG"-like jamming and a "Mo' Better Blues" tease in the intro. Trey is on fire in the trill section.
Before / afterHold Your Head UpGap2SET 2
1990-12-01SatThe FrontBurlington, VTBefore / afterBouncing Around the RoomGap3SET 2
1990-11-02FriGlenn Miller Ballroom, University of ColoradoBoulder, COJam chartTease-fest intro (see Setlist). The jam itself is pretty ripping and gets beyond "Bowie" with great tension building, nasty guitar licks from Trey, and teases or little jams on "Rocky Mountain Way," "DEG," "Fluffhead," and "Wipe Out." Released on Live Bait 6.Before / afterI Didn't KnowGap2SET 2
Before / afterMagilla >-> Happy Birthday to YouGap3SET 1 · 2×
1990-09-22SatStudent Union Ballroom, University of MassachusettsAmherst, MA
NoteFive Charlie Chan signals, an Oom Pa Pa signal, two Random Laugh signals (one from Trey and one from Mike), a How High The Moon signal, and a Tritone Down signal.
NoteTwo Charlie Chan signals, Oom Pa Pa and Random Note signals in intro. Two more Charlie Chan signals and Tritone Down and Popeye signals in song itself.
Jam chartMany intro teases and signals (see Setlist). The is an evil monster with dark and very improvisational jamming, rhythmic shifts, and teases and signals in the jam proper. Machine Gun Trey in combat action towards the end.Before / afterThe Asse FestivalGolgi ApparatusGap11SET 1
1990-06-05TueCat's CradleChapel Hill, NCBefore / afterTake the 'A' Train >Lawn BoyGap2SET 1
Jam chartAss-kicking version that gets out there nicely and is loaded with tension and dissonance. Some sick Trey playing leading to and during the trill.
NoteThe beginning included a return to the Lawn Boy melody, a tribute to Chris Kuroda and his abilities at the light board, and a tribute to Jägermeister.
Before / afterLawn Boy-> Jägermeister SongGap1SET 2 · 2×
1990-04-14SatThe InfernoSteamboat Springs, COBefore / afterFee >Gap2SET 2
1990-04-12ThuThe InfernoSteamboat Springs, COBefore / afterMy Sweet OneGap1SET 2
1990-04-09MonFly Me to the Moon SaloonTelluride, COBefore / afterRunaway JimGap2SET 1
Jam chartTeases (see Setlist), including some in the middle of the jam, which is unusual. But that fits with this weird, very improvisational version. Not magical music, but if you like quirky improv, check it out.Before / after> No Dogs AllowedGap2SET 2
Jam chartThe "Mac 'N Cheese" version (see Setlist). Breaks away from standard "Bowie" at about 9:00 into some jarring jamming similar to "DEG." Another early one that gets WAY OUT there and includes a jam on "I'm A Man" (Spencer Davis Group) at about 16:45. Powerful trill section.Before / afterWilsonGap2SET 2
1989-10-26ThuThe Wetlands PreserveNew York, NYJam chartCool little jam on David Bowie's "Space Oddity" in the intro. The jam immediately breaks into exploratory terrain. The energy, tension and dissonance build nicely. If you wonder where the Providence "Bowie" came from, start here.Before / afterNo Dogs AllowedGap2SET 2
Jam chartGreat staccato playing by Trey early on. Although it never departs "Bowie" wholesale, the jam is a good one with all sorts of variation, good tension, and a nice "Reba" tease in the intro.
Jam chartMusically, this is a very exploratory version, with unusual melodies, rhythm, and includes several distinct movements. Few post-'95 versions have this much improvisation.
Before / afterFoamGap2SET 2
1989-08-23WedThe Living RoomProvidence, RIBefore / afterThe CurtainGap1SET 2
1989-08-19SatCollis Center, Dartmouth CollegeHanover, NHBefore / afterThe Ballad of Curtis LoewUndunGap6SET 2
1989-05-26FriValley Club CafeRutland, VTHighly rated 92 · Listen
NoteAlternate "Lazy Lester" lyrics.
Jam chartVery long intro with hilarious banter from Trey, this is the infamous LAZY LESTER BOWIE, with incredible playing by all. Hear it for yourself!
Before / afterThe Mango SongGap2SET 2
1989-05-20SatNorthfield/Mt. Hermon School GymnasiumNorthfield, MABefore / afterTake the 'A' TrainGolgi ApparatusGap4SET 2
1989-05-13SatThe Orange GroveSyracuse, NYBefore / afterSplit Open and Melt >Gap5SET 1
1989-05-06SatCollis Center, Dartmouth CollegeHanover, NHBefore / afterFly Famous MockingbirdGap3SET 1
1989-05-01MonPearl Street BallroomNorthampton, MABefore / afterFly Famous MockingbirdGap4SET 2
1989-04-27ThuStrafford Room, Memorial Union Building, University of New HampshireDurham, NHBefore / afterContactGap3ENCORE
1989-04-20ThuHumphries House (The Zoo), Amherst CollegeAmherst, MABefore / afterFoamGap2SET 1
1989-04-15SatBillings Lounge, University of VermontBurlington, VTBefore / afterFoamGap9SET 1
1989-03-24FriThe ParadiseBoston, MABefore / afterTake the 'A' TrainGap2SET 1
1989-03-13MonNectar'sBurlington, VTBefore / afterBig Black Furry Creature from MarsGap4SET 1
1989-03-03FriLiving and Learning Center, University of VermontBurlington, VTBefore / afterTake the 'A' TrainGap5SET 2
Jam chartSimilar to 11/5/88 with excellent and angry tension building. Good dissonance in the trill as well.
Before / afterTake the 'A' TrainGap1SET 1
1988-11-05SatSigma Phi Fraternity, Hamilton CollegeClinton, NY
Jam chartGood intro. Although essentially "Type I," the jam is very good and there is ferocious and dizzying tension building as it progresses. Good trill section also.
Jam chartDefinitely stretches the boundaries of "Type I" jamming, especially after 9:00, then at 12:00 it really gets out there into some interesting exploration.
Before / afterThe Ballad of Curtis LoewGap21SET 3
1988-04-22FriUniversity of VermontBurlington, VTBefore / afterThe Ballad of Curtis LoewGap11SET 1
1988-03-11FriThe Base Lodge, Stearns Hall, Johnson State CollegeJohnson, VTBefore / afterThe LizardsGap2SET 1
1988-02-26FriLiving and Learning Center, University of VermontBurlington, VTBefore / afterThe LizardsThe Ballad of Curtis LoewGap1SET 2
Jam chartStraightforward, somewhat dull jam up until the trill, but THEN, the band embarks on 6 minutes of exploration that gets well beyond "Bowie" proper before circling back to the basic theme.
Jam chartLeaves the standard fare at about 7:20, then meanders back. At 10:00, the jam makes a clean break for good. Some early space jamming, followed by an excellent blues jam at 13:15 that sounds like George Thorogood's "Bad To The Bone." Unfinished with -> to "JJLC."Before / afterShaggy Dog-> Jesus Just Left ChicagoGap2SET 3
Before / afterMakisupa Policeman ->> SanityGap1SET 3
1987-08-10MonNectar'sBurlington, VTJam chartFirst extended, "Type II" version. The jam veers away from the standard at about 7:50. Has moments similar to sections of "Fluffhead," "DEG"-like jamming, and a bluesy, Allman Brothers-like vibe. A strong early version that any "Bowie" fan ought to check out.Before / afterIcculusJesus Just Left ChicagoGap1SET 3
1987-04-24FriBillings Lounge, University of VermontBurlington, VTBefore / afterWho Do? We Do!Dear Mrs. ReaganGap10SET 1
1986-12-06SatThe RanchShelburne, VTJam chart"David Bowie" -> "Clod" (Section of "Fluffhead") > "David Bowie." Jam is similar to debut, but with some jamming that sounds similar to the Allman Brothers' "In Memory of Elizabeth Reed." Intense ending.Before / afterAC/DC Bag-> ClodGap5SET 3 · 2×