Debut 1989-02-17 · Last played 2026-07-22 · 355 performances
Gap — the number of shows the band played between one
performance of this song and the one before it.
← → the songs either
side, played as separate songs. > and
–> are phish.net’s own marks, and mean the
band ran them together rather than stopping between them.
2025-12-30TueMadison Square GardenNew York, NYBefore / afterRebaGap3SET 1
2025-09-21SunHampton ColiseumHampton, VAHighly rated 90 · ListenJam chartA major version of the modern "Melt." Placement seems to be instrumental, as the jam, exploding from the middle of the first, seems unfettered by "role" or expectation. Note for note notable, play becomes particularly interesting after the ten-minute mark, when Page, following a slow, psychedelic, full-band build, blasts through somewhat familiar bleeps and bloops, unsettlingly smoothing the sound by alternating instruments, play almost breaking to become, of all things, serene (some must-hear Phish). More by way of general madness morphs to bleed into the song's conclusion.Before / afterMeatGolgi ApparatusGap8SET 1
2025-07-27SunBroadview Stage at SPACSaratoga Springs, NY
NoteUnfinished.
Jam chartA nice side of musical deconstruction with all those different versions of "Tweezer Reprise". Fish and Mike stand out in the chaos. The jam emerges from the muck and like a freight train barrels back into -> another "Reprise".Before / afterAbout to Run-> Tweezer RepriseGap8SET 1
2025-07-16WedTD Pavilion at the MannPhiladelphia, PABefore / afterJuliusGap9SET 1
2025-06-28SatMoody CenterAustin, TXBefore / afterLimb By LimbRock and RollGap10SET 2
2025-04-22TueBill Graham Civic AuditoriumSan Francisco, CABefore / afterMazeGap8SET 1
2024-12-31TueMadison Square GardenNew York, NYBefore / afterLlamaBackwards Down the Number LineGap8SET 1
2024-08-31SatDick's Sporting Goods ParkCommerce City, COBefore / afterCrosseyed and PainlessMonstersGap12SET 2
2024-08-04SunRuoff Music CenterNoblesville, INBefore / afterBilly BreathesGap5SET 2
2024-07-28SunAlpine Valley Music TheatreEast Troy, WIBefore / afterAlso Sprach Zarathustra >Gap7SET 2
2024-07-19FriXfinity CenterMansfield, MAJam chart> from "Beneath a Sea of Stars Part 1". Often imitated, never quite duplicated. "Melt" appeared four times in Summer 2024, with three of those (including this one) being the Set 2 closer. Each followed the same basic principle: utter deconstruction. How fine a line could the band walk while still keeping things slightly together? They did it best with the first try of the summer, mainly due to Fish's determined play that gives a backbone to the deconstruction happening all around him.Before / afterBeneath a Sea of Stars Part 1 >Gap3SET 2
2024-04-19FriSphereLas Vegas, NVBefore / afterTheme from the Bottom >Gap6SET 1
Before / afterAuld Lang Syne >You Enjoy MyselfGap5SET 3
2023-10-14SatUnited CenterChicago, ILJam chartAnother exploratory version pulsing with chaotic energy that retains strong forward momentum and a semblance of "Melt's" character thanks to Fish's percussive through line. A break in the storm appears with a shift to major around 8:00 but the jam soon splits open again and becomes even more frantic in the leadup to the usual closing.Before / afterOblivion >What's the Use?Gap5SET 2
2023-10-07SatBridgestone ArenaNashville, TNJam chartA fine example of "SOAMelt's" late-period renaissance, with an ambitious, multipart jam which remains uncommonly coherent even while exploring a number of dizzying directions before a celebratory knockout ending leads back into "Melt".Before / afterAbout to RunGap4SET 1
2023-09-01FriDick's Sporting Goods ParkCommerce City, COJam chartMaking a rare encore appearance, "Melt" again provides a space for the more sinister spirits of improvisation to brood and bend reality, pushing the limits of musicality in a truly alarming jam that is both anxious and angular. Listen especially for Mike to ratchet up the tension in the last few minutes. This extended finale is frightening and fantastic.Before / afterWilson >Gap10ENCORE
2023-07-28FriMadison Square GardenNew York, NYJam chartEschewing the typical rocking Set 2 closer, this version of "Melt" is a complete and utter deconstruction. It's wild and daring. Fans of heavy, dark or "evil" Phish will want to check this one out ASAP.Before / afterMountains in the MistGap8SET 2
2023-07-16SunAmeris Bank AmphitheatreAlpharetta, GABefore / afterHalfway to the MoonGap6SET 1
2023-04-22SatHollywood BowlHollywood, CAJam chartBeginning with the now familiar seam splitting descent, what erupts from the glowing core is a white hot fountain of liquid play from Trey. Fed from a shimmering reservoir of Page's piano and synths and driven to a boil by Mike and Fish, Trey's trills sustain jets of phosphorescent sound that cascade and decay before returning to "Melt" once again.Before / afterMeat >LeavesGap9SET 1
2023-02-24FriMoon PalaceCancun, Quintana RooJam chartA version that takes its cues from the terrain of the Yucatan, dives into sonar laden depths and emerges through sunken caves to march up erupting volcanic peaks. A journey from the sublime to the menacing, "Melt" continues to offer some of the band's most forward looking improvisation.Before / afterJoyGap5SET 1
2022-12-28WedMadison Square GardenNew York, NYBefore / afterStashGap2SET 1
2022-09-03SatDick's Sporting Goods ParkCommerce City, COHighly rated 82 · ListenJam chartSheets of sound seethe and engulf the listener in a sonic maelstrom that pulses and threatens total dissolution without yet finally releasing its tenuous grasp on the song proper. A chilling, thrilling excursion that must be experienced as much as heard.Before / afterAlso Sprach Zarathustra >Gap11SET 2
2022-08-02TueBlossom Music CenterCuyahoga Falls, OHBefore / afterAlso Sprach Zarathustra >Gap9SET 2
2022-07-20WedTD Pavilion at the MannPhiladelphia, PABefore / afterFunky BitchGap6SET 1
2022-06-04SatRuoff Music CenterNoblesville, INJam chartFor a song that has become, essentially, a sonic playground, what remains remarkable is that, post lyrics, what emerges is no mere template. Like so many recent iterations, full-band exploration and improvisation is unlike any previous version. More than words, this first-set closer deserves repeated listening.Before / afterJuliusGap8SET 1
2022-04-22FriMadison Square GardenNew York, NYJam chartWriter @waxbanks one said "Tweezer" is Phish's "Dark Star." Agree or disagree, he had a way with words. Agree or disagree, it's tough to argue that "Melt," of late, has assumed a musical form, like Dead jamming, tricky to articulate. Perhaps a moment more significant thematically than musically - kelp descended from above the band during the song, and fell to the stage after the song, and set, was over. Or: Another spacey foray absent tension and release, music interested in sonic exploration and waves of possibility.Before / afterSandGap3SET 3
2022-02-27SunMoon PalaceCancun, Quintana RooHighly rated 85 · ListenJam chartNo need for the band to clear their collective mind, for they have the modern Melt formula internalized. Mike's Floydian play controls much of this version's narrative, improvisation that, "illuminated" by Fish, pushes and probes to pass through a heart of musical darkness. Repeated listening is rewarding as all four musicians weave patterns of sound ,creating a complex tapestry that, despite this effort, is all but ineffable. Wonderfully, if not miraculously, Trey, his growly tone demented, picks his way through the shoreline's shoegaze sound, leading the band to "Melt's" closing refrain, before, of all things, "Suzy." Wild.Before / afterClear Your Mind >Suzy GreenbergGap13SET 1
2021-10-20WedMatthew Knight ArenaEugene, ORHighly rated 87 · ListenJam chart"Melt"'s late-career renaissance continues with this fantastic version from Eugene. The typical gnarled "Melt" jam gives way to an ethereal major-key jam about halfway through, with Page in particular doing some good work on both the electric piano and synths. Trey finds a new key and we get another superb jam segment, before the jam dies away into fuzzy nothingness. > into "End of Session".Before / afterFarmhouse> End of SessionGap12SET 1 · 2×
2021-08-14SatAtlantic City BeachAtlantic City, NJBefore / afterSoul Shakedown PartyThe Squirming CoilGap7SET 1
2021-08-04WedAscend AmphitheaterNashville, TNJam chartThe jam begins with some quiet musing that quickly veers beyond the norm. Largely dark in tone, the music gradually builds a percussive base and power. The intensity builds until around 15:00, when the jam returns to "SOAM" proper to close.Before / afterAlso Sprach Zarathustra >Gap15SET 2
3.047 shows2009–2019
2019-12-07SatNorth Charleston ColiseumNorth Charleston, SCHighly rated 83 · ListenJam chartRearranged and redefined, "Melt" anchors another second set, with the band forgoing speed, tension and release in favor of using the song, following a nice composed section, as a blank canvas to create a creepy, ethereal, "soundscape". Fish's work on the Marimba Lumina is particularly eerie, before "Little Drummer Boy" teasing and a return to "Crosseyed and Painless" offers relief from droning (yet musical) fright-rock.Before / afterCool Amber and Mercury >-> Crosseyed and PainlessGap15SET 2 · 2×
2019-06-19WedBlossom Music CenterCuyahoga Falls, OHBefore / afterA Life Beyond The DreamGap10ENCORE
2018-12-30SunMadison Square GardenNew York, NYJam chartAlmost one year later, the band closes another holiday set with a crazed "Melt." Like 12/29/17, the version sheds form after assuming nothing more than a perfunctory structure. Unlike the 17, however, the musicians - and Page in particular - expand upon 2018's "SOAM" sound, creating that haunting, Phishy sort of shoegaze; another mind-bender; in nature more spectral than musical.Before / afterWading in the Velvet SeaGap3SET 2
2018-11-03SatMGM Grand Garden ArenaLas Vegas, NVHighly rated 88 · Listen
Jam chartQuickly shrugs off the usual jam structure and embarks on a thrilling exploration of multiple disparate themes, the last of which is some spooky space that leads back to "SOAM" at 18:30.
2018-07-22SunGorge AmphitheatreGeorge, WAHighly rated 91 · ListenJam chartMore 12/29/17 than 7/6/13, the band quickly drops any sense of composition, and the version assumes a dark disposition, colored more by (Mike) a sense of cloaked "space" and "introspection", than thematic unity or tension. It being 2018, the jam crosses, then enters, play at the gates of Page, his contributions eerie and emblematic of the era, while Trey, after some jarring soloing, deftly works in the song's closing theme.Before / afterFluffhead >Gap7SET 2
2017-12-29FriMadison Square GardenNew York, NYHighly rated 85 · Listen
Jam chartDeparts standard "SOAM" rather quickly and dips into some nebulous improvisation which straddles the line between light and dark before growing more tense and returning home.
Before / afterSimple >Gap16SET 2
2017-07-22SatMadison Square GardenNew York, NYBefore / afterAll of These Dreams> Down with DiseaseGap12SET 2
2016-12-29ThuMadison Square GardenNew York, NYBefore / afterTheme from the Bottom >Gap15SET 1
Jam chartThe jam has a brief major mode section, returns to the typical, then at 7:30 ventures into some good, semi-dissonant terrain which becomes more rocking before closing.
Before / afterKill Devil FallsGood Times Bad TimesGap9SET 1
2014-07-13SunRandall's IslandNew York, NYHighly rated 88 · Listen
Jam chartA nice "old school" version with good dissonance and tension building, and also has some cool chanting by Trey and others towards the end (very '93 - '94ish).
Before / afterMazeGap6SET 1
2014-07-04FriSaratoga Performing Arts CenterSaratoga Springs, NYBefore / afterRiftThe Squirming CoilGap5SET 1
2013-12-31TueMadison Square GardenNew York, NYBefore / afterThe LizardsGap7SET 2
2013-07-26FriGorge AmphitheatreGeorge, WABefore / afterThe Ballad of Curtis LoewGap8SET 1
2013-07-13SatMerriweather Post PavilionColumbia, MD
Jam chartJam includes a nice modulation to major mode, and the boys bring it home well for a safe landing after the plane wreck at SPAC. Alas, Trey over-deploys the pitch shifter; otherwise a solid "SOAM."
Before / afterYarmouth RoadGap4SET 1
2013-07-06SatSaratoga Performing Arts CenterSaratoga Springs, NYHighly rated 88 · ListenJam chartVery exploratory jam that contrasts sharply with the "old school" style 8/18/12 version. This one more closely resembles standouts from '96 - '04, and includes mode modulation. Messy closing section; needs practice.Before / afterJuliusGap17SET 1
2012-08-18SatBill Graham Civic AuditoriumSan Francisco, CAJam chartSloppy flubs in the composed and closing sections aside, the jam here is dark, chaotic, and loaded with tension and eerie effects. They haven't played a comparable, non-extended, tension-meister "SOAM" like this since '94/'95.Before / afterSugar ShackCavernGap3SET 1
2012-07-08SunSaratoga Performing Arts CenterSaratoga Springs, NYJam chartOne could argue that they dick around and waste several minutes in the land of "meh." But after the 8:00 mark, this one suddenly gets pretty damn solid with some good old fashioned tension and dissonance. Hell, even throw in a little chaos.Before / afterIf I Could> La GrangeGap13SET 1
2011-09-02FriDick's Sporting Goods ParkCommerce City, COBefore / afterShine a LightThe Squirming CoilGap7SET 1
2011-08-08MonHollywood BowlHollywood, CABefore / afterAxilla >Backwards Down the Number LineGap7SET 1
2011-06-18SatTime Warner Cable Music Pavilion at Walnut Creek Raleigh, NCBefore / afterKill Devil FallsGolgi ApparatusGap12SET 2
2011-06-01WedPNC Bank Arts CenterHolmdel, NJBefore / afterAxilla >Suzy GreenbergGap17SET 1
2010-10-20WedUtica Memorial AuditoriumUtica, NYJam chartThis version bookends an improvisational "SOAM" -> "Have Mercy" > "Piper" -> "SOAM," one of the best jams of 2010. The "SOAM" jam quickly shifts into a quiet, dreamy, major mode section before the segue, then cleans up after "Piper."Before / afterTela >-> Have MercyGap4SET 2 · 2×
2010-10-12Tue1stBank CenterBroomfield, COBefore / afterSummer of '89 >Gap9SET 2
2010-08-12ThuVerizon Wireless Music CenterNoblesville, IN
NoteUnfinished.
Before / afterSilent in the Morning >> Dog Faced BoyGap13SET 2
2010-06-25FriSusquehanna Bank CenterCamden, NJBefore / afterSummer of '89The SlothGap8SET 1
2009-11-28SatTimes Union CenterAlbany, NYBefore / afterAlaskaJoyGap5SET 1
2009-11-21SatU.S. Bank ArenaCincinnati, OHJam chartWhile closely following Trey's winding solo, Fish mirrors this patterned play, the musicians providing the others "room" to altogether drop anything by way of melody, setting Trey up for a patient and tense syncopated exploration which smartly culminates in "Melt's" coda.Before / afterAlbuquerqueDirtGap3SET 1
2009-11-01SunEmpire Polo ClubIndio, CABefore / afterSparkleGap13SET 2
2009-07-31FriRed Rocks AmphitheatreMorrison, COBefore / afterStealing Time From the Faulty PlanGap4SET 1
2009-06-19FriVerizon Wireless Music CenterNoblesville, INBefore / afterWater in the SkyLawn BoyGap9SET 1
2009-06-05FriNikon at Jones Beach TheaterWantagh, NYBefore / afterBoogie On Reggae WomanGap5SET 1
2009-03-07SatHampton ColiseumHampton, VABefore / afterBrian and RobertHeavy ThingsGap2SET 1
2.04 shows2003–2004
2004-08-15SunNewport State AirportCoventry, VTHighly rated 85 · ListenJam chartSkip the composed section (ugly) and go straight to the jam (released on Live Bait Vol. 5), which is excellent, extended and improvisational. The final 6 spacey minutes are a combination of sad, eerie and haunting, with a hint of optimism near the end. Unfinished with a -> to "Ghost." One of many great jams from the morass of Coventry.Before / afterGlide-> GhostGap9SET 2
2004-06-23WedVerizon Wireless Music CenterNoblesville, INBefore / afterArmy of OneGap26SET 1
2003-07-22TueVerizon Wireless Music CenterNoblesville, INHighly rated 87 · ListenJam chartMulti-section improvisational jam starts off dark and evil and becomes more rocking and uptempo. The only gripe is wading through 12 minutes of ho-hum "Type I" playing before the good stuff starts. -> to a solid "Free."Before / after-> FreeGap24SET 2
2003-01-04SatHampton ColiseumHampton, VABefore / afterBouncing Around the RoomGap11SET 1
2000-09-12TueTweeter CenterMansfield, MABefore / afterHeavy Things >Hold Your Head UpGap9SET 2
2000-07-10MonDeer Creek Music CenterNoblesville, INBefore / afterMy Mind's Got a Mind of its OwnSparkleGap2SET 1
2000-07-07FriStar Lake AmphitheatreBurgettstown, PABefore / afterGotta JibbooRoggaeGap4SET 2
2000-07-01SatMeadows Music TheatreHartford, CTBefore / afterDirtGap4SET 1
2000-06-25SunALLTEL Pavilion at Walnut CreekRaleigh, NC
Jam chartWith some really beautiful and delicate major mode jamming midway through, this "SOAM" ventures into a blissful landscape unusual for this song, before eventually returning home to familiar ground.
Jam chartMulti-section, improvisational groove-based jam, including typically dark "SOAM" grooving, funky upbeat major mode jamming, and a -> to "Catapult." Vastly different from 7/15/99.
Before / afterRoggae-> CatapultGap3SET 1
1999-12-17FriHampton ColiseumHampton, VAHighly rated 85 · ListenJam chartRooted in the improvisational millennial groove of '99, although perhaps more repetitive and even plodding at times, Fishman largely leads the jam until about 8 mins in, when Trey adds some space vamp. At 10 mins in, Mike changes course, and the jam takes on a menacing, heavy tone, continuing to build in intensity until a looped-out groove arises, and slow rolls its way to a thunderous conclusion. Not as wonderfully weird as 12/4/99, or as funky and fun as the 12/31 performance, but still an incredible three versions to end the century.Before / afterJennifer DancesCharacter ZeroGap10SET 2
1999-12-04SatFirstar CenterCincinnati, OHJam chartThe jam begins with a haunting, scary groove over the basic structure. At 9:30, there's a transition segment with standout playing by Page and Mike. Then at 10:45 Trey hits the keyboards in a weird sonic combo. Released on Live Bait Vol. 7.Before / afterDown with Disease >The Moma DanceGap9SET 2
Jam chartEpic, exploratory "SOAM" -> "Kung" -> "Jam." "SOAM" has excellent tempo shifts and dissonance before the -> to a wild "Kung," which leads to an incredible, multi-part groove-based jam (and which is really a return to "SOAM").Before / afterMeatstick >-> KungGap2SET 2
1999-07-12MonTweeter CenterMansfield, MABefore / afterWhat's the Use?Water in the SkyGap11SET 1
1997-11-21FriHampton ColiseumHampton, VABefore / afterEmotional Rescue >Beauty of My DreamsGap5SET 1
1997-11-13ThuThomas & Mack CenterLas Vegas, NVBefore / afterTrain SongBeauty of My DreamsGap6SET 1
1997-08-10SunDeer Creek Music CenterNoblesville, INHighly rated 82 · ListenJam chartImprovisational heavyweight version which breaks into a full jam on King Crimson's "Larks' Tongues In Aspic Part II" around 10:25. From there, it settles, then rebuilds into "SOAM" with a quick tempo and "Third Stone from the Sun" teasing. Released on Live Bait 12.Before / afterBilly BreathesBye Bye FootGap5SET 1
1997-08-02SatGorge AmphitheatreGeorge, WABefore / afterWater in the SkyGap6SET 1
1995-12-28ThuWorcester Centrum CentreWorcester, MABefore / afterGumboGap4SET 1
1995-12-14ThuBroome County Veterans Memorial ArenaBinghamton, NY
Jam chart"Type I" until 8:50 when the jam breaks into a pulsing, percussive bent, which is followed by a wacky silent jam section.
Before / afterMakisupa Policeman >TelaGap5SET 1
1995-12-07ThuNiagara Falls Convention CenterNiagara Falls, NYHighly rated 85 · ListenJam chartSick wrecking ball version that will pound your head. Start with some "In-A-Gadda-Da-Vida" jamming to warm up. On to improvisational twists and turns, a tense, hammering peak, and a somewhat bizarre ending. Very demented.Before / afterStrange DesignGap6SET 2
1995-07-01SatGreat Woods Center for the Performing ArtsMansfield, MAJam chartVenomous, percussive and deranged "SOAM" that gets further and further away from the ranch as it progresses. Despite it's length, the jam here doesn't have multipe movements, sections that vary, etc. It's just sort of continuous chaos.Before / afterPrince Caspian >Bouncing Around the RoomGap2SET 1
Jam chartGreat, uptempo playing early on becomes increasingly frenetic and dissonant. Returns with a jarring ending.
Before / afterTela >Little Tiny Butter BiscuitsGap3SET 1
1994-11-14MonDeVos HallGrand Rapids, MIBefore / afterGuelah PapyrusBouncing Around the RoomGap4SET 1
1994-11-03ThuMullins Center, University of MassachusettsAmherst, MAHighly rated 82 · ListenJam chartEpic, Exploratory MUST-HEAR Multibeast, well beyond simple description. When the jam finally returns to "SOAM" after 13:30, there's almost a welcome relief to be home again after a long, astounding, and mind-blowing journey.Before / afterGlideDog Faced BoyGap3SET 1
1994-10-29SatSpartanburg Memorial AuditoriumSpartanburg, SC
NoteUnfinished.
Jam chartExcellent, thrashing, wild and unfinished version kicks off a great, unsusual segue-fest. -> "Buffalo Bill" -> "Makisupa" -> "Rift."
Before / afterLawn Boy-> Buffalo BillGap4SET 1
1994-10-25TueAtlanta Civic CenterAtlanta, GAHighly rated 85 · ListenJam chartIncredibly improvisational. At 7:00, the jam heads off in a great, creative and unusual direction. Then after 10:00, there are some on-the-spot duets - Mike/Page, Mike/Trey, etc. followed by a rising thunderous roar as the jam returns to "SOAM."Before / afterSilent in the MorningThe LizardsGap2SET 1
Jam chartDark, dissonant and percussive exploratory jamming. Assertive Fish action.
Before / afterPoor HeartThe LizardsGap2SET 1
1994-10-09SunA. J. Palumbo CenterPittsburgh, PABefore / afterDog Faced Boy >The Squirming CoilGap4SET 1
1994-07-15FriJones Beach AmphitheaterWantagh, NYJam chartReally cool and different "SOAM" with ghoulish tension and a great section with Page out in front leading the quick tempo, rhythmic and frenzied jamming. At other points, the jamming could be fairly described as demented.Before / afterFee >Golgi ApparatusGap2SET 1
1994-07-13WedBig Birch Concert PavilionPatterson, NY
Jam chartPretty much a mean and nasty jam that gets way, way out there into a state of bedlam, with a twisted ending to cap it off.
Before / afterI Didn't KnowGap2SET 1
1994-07-09SatGreat Woods Center for the Performing ArtsMansfield, MA
Jam chartA chaotic, frenzied and twisted version. Plenty of improvisational jamming, yelling and screaming throughout, even a brief Trey major mode solo right before the scream-filled ending.
Before / afterAlso Sprach Zarathustra >FluffheadGap4SET 2
1994-07-03SunThe BallparkOld Orchard Beach, MEHighly rated 94 · ListenJam chartExploratory, far-ranging, and gripping version includes Hendrix teases, incredible jamming with cool funky Page on the B-3, rhythmic gyrations, power rocking, dizzying dissonance, and a thrilling, unusual conclusion.Before / afterThe LizardsGap3SET 2
Jam chartThe jam starts into a tense, exploratory groove before launching into a stunning, melodic Mike/Trey duet. At 12:00, the tension and power return, but the jam doesn't return to "SOAM" proper until 14:00.Before / afterMy Friend, My FriendEstherGap3SET 2
Jam chartClassify this one in the extreme "Anarchy" jamming category. Jam includes Trey chanting, Fish yelling, a largely dark vibe, slow pulsing power rocking, rhythmic-driven jamming, more screaming, etc.
Jam chartGood solid "SOAM" with intense playing, plenty of dissonance, and an unusual ending sequence.
Before / afterScent of a MuleIf I CouldGap4SET 1
1994-05-02MonFive Points South Music HallBirmingham, ALHighly rated 83 · Listen
Jam chart"MLB"-like jamming by Trey early, followed by an intense, improvisational, high tempo and super-charged jam.
Before / afterThe Great Gig in the Sky >Bouncing Around the RoomGap2SET 1
1994-04-29FriBoatyard Village PavilionClearwater, FL
NoteUnfinished.
Jam chartExcellent variation in the playing, including a nice quiet section, dissonance, pounding, and an amusing section with the band members all yelling "Yee Haw!!" No real ending but instead a > to "Sanity."Before / afterDog Faced Boy> SanityGap3SET 1
1994-04-25MonCivic AuditoriumKnoxville, TNJam chartFantastic, improvisational version that expertly combines far-ranging exploration with captivating, spell-binding playing. Fish is incredible throughout, and the blistering conclusion is icing on the cake.Before / afterPoor Heart >Gap4SET 1
1994-04-21ThuLawrence Joel Veterans Memorial ColiseumWinston-Salem, NCBefore / afterGlideThe LizardsGap2SET 1
1994-04-18MonBob Carpenter Center, University of DelawareNewark, DE
Jam chartA nail biting thriller with excellent melodic variation, loads of tension and an intense and dissonant ending.
Before / afterRiftDog Faced BoyGap4SET 1
1994-04-14ThuBeacon TheatreNew York, NYBefore / afterDemandThe Squirming CoilGap3SET 1
1994-04-10SunAlumni Arena, SUNY BuffaloBuffalo, NY
Jam chartA good, gripping and improvisational "SOAM" with great tension.
Before / afterSparkle >EstherGap2SET 1
1994-04-08FriRecreation Hall, Penn State UniversityState College, PAHighly rated 83 · ListenJam chartNothing recreational here, Trey, exiting the song proper, dominates. After simply spraying the space with impossibly open, yet concentrated sound, play (7:00) momentarily grinds to inform cool, droning, near-thematic improvisation. Not for long. As if broken down to rebuild, Trey whips the band into a frenzy, picking up not just where this version left off, but, rather, where "Melt" jamming had stood, historically, peaking (Aug. 93). Insane, must-hear Trey play.Before / afterMcGrupp and the Watchful HosemastersGap3SET 2
1993-12-31FriWorcester Centrum CentreWorcester, MABefore / afterDown with Disease >The LizardsGap3SET 3
1993-12-28TueBender Arena, American UniversityWashington, DCBefore / afterPoor Heart >EstherGap2SET 1
1993-08-26ThuArlene Schnitzer Concert HallPortland, ORHighly rated 84 · ListenJam chartIncredible combination of improvisation and musicianship. Must-hear. Some August '93 jams are quirky. Not this one. Start to finish, it's gripping, creative, tension-filled, exploratory, and musically coherent. Simply Magnificent.Before / afterFeeEstherGap2SET 1
1993-08-24TueCommodore BallroomVancouver, British ColumbiaJam chartThere's some "Crossroads"-like playing from Trey, a "Long Tall Glasses" (Leo Sayer) tease worked into the jam, then "DEG" teasing and "DEG"-like jamming as it gets way out there into a twisted combination of two unusual jams, then it returns to "SOAM" for a soaring peak.Before / afterNellie KaneThe HorseGap2SET 1
Jam chartSimilar to 8/14/93 in that it's not wildly exploratory for August '93, but it's expertly played with flourishes of improvisation.
Before / afterSlave to the Traffic Light >The Squirming CoilGap2SET 2
1993-08-16MonAmerican TheaterSt. Louis, MOJam chartSuperb exploratory playing. While it has neither the dissonance and chaotic jamming of many '94 versions, nor the psychological edginess of many '95s, the overall quality places this "SOAM" in good company among the best.Before / afterI Didn't KnowThe Squirming CoilGap2SET 1
Jam chartModerately exploratory considering it's August '93. Uncharacteristically lacking in the customary dissonance.
Before / afterSparkleEstherGap2SET 1
1993-08-12ThuMeadow Brook Music FestivalRochester Hills, MIHighly rated 82 · Listen
Jam chartExcellent version that weaves back and forth, back and forth between super tight but typical "SOAM" playing and exploratory jaunts.
Before / afterNellie KaneThe HorseGap2SET 1
1993-08-09MonConcert HallToronto, OntarioJam chartImprovisational, but a little bit weird. The jam begins with scat singing by Trey and immediately breaks into slow, plodding and percussive action. Returns to "SOAM" with sick trilling at the peak, then slows down, and down, and down, and -> to "Glide."Before / afterFee >-> GlideGap3SET 1
1993-07-24SatGreat Woods Center for the Performing ArtsMansfield, MABefore / afterAlso Sprach Zarathustra >FluffheadGap3SET 2
1993-07-21WedOrange County FairgroundsMiddletown, NYJam chartAfter a good improvisational start to '93, "SOAM" suffers a slight "Type I" malaise in late spring and early summer. Here, the jam progressively frays the edges, getting more outside the box and paving the way for the huge August versions.Before / afterAlso Sprach Zarathustra >SparkleGap3SET 1
1993-07-16FriThe Mann Center for the Performing ArtsPhiladelphia, PABefore / afterAlso Sprach Zarathustra >GlideGap2SET 2
1993-04-21WedNewport Music HallColumbus, OHJam chartThe jam from this fiery, intense version was attached to the end of the song "Demand" on the studio album Hoist. In a 1994 interview, Trey noted this performance marked the beginning of a watershed, 14-month period, during which the band really clicked and coalesced on "SOAM's" complex jam rhythm. Not surprisingly, the golden age of "SOAM" overlaps with this 1993 - 1994 period of technical mastery considerably.Before / afterMoundThe Squirming CoilGap2SET 2
Jam chartGreat version - sounds like a neck-and-neck horse race between Fish and Trey trying to keep pace with each other.
Before / afterAll Things ReconsideredFluffheadGap2SET 1
1993-03-24WedLuther Burbank Center for the ArtsSanta Rosa, CA
Jam chartRhythmically oriented jam with awesome Fish and shredding Trey which gets increasingly experimental and dissonant.
Before / afterThe Landlady >SparkleGap2SET 2
1993-03-21SunVentura TheatreVentura, CAJam chartVery exploratory jam which veers away from standard "SOAM" and makes a clean break at 7:50 into improvisational, slightly off-kilter playing. Shifts into some good rocking and gets really great as it works its way back to "SOAM."Before / afterAll Things ReconsideredPoor HeartGap2SET 1
Jam chartAlthough the jam is basically "Type I," it includes teasing/jamming on the Bee Gees' "Staying Alive" throughout, some "Little Drummer Boy" teases near the end, and is very well played with good Trey shredding.Before / afterPoor Heart >TelaGap4SET 2
1993-03-13SatBalch Fieldhouse, University of ColoradoBoulder, COBefore / afterAll Things ReconsideredContactGap4SET 1
Jam chartCreative version with an unusual (for this early period) shift to major mode in the jam, followed by dissonant playing and some incredible trilling by Trey near the conclusion.
1992-04-16ThuAnaconda TheatreIsla Vista, CABefore / afterBouncing Around the RoomRiftGap3SET 1
1992-04-12SunArizona Ballroom, University of Arizona Student UnionTucson, AZBefore / afterGlideBouncing Around the RoomGap2SET 2
1992-04-07TueFine Arts Auditorium, Fort Lewis CollegeDurango, COJam chartGreat version if you want to hear how Mike plays "SOAM," because the recording boosts his sound (mostly at Page's expense). The jam has some really cool and unusual Trey early on before he lets it rip.Before / afterSilent in the MorningBouncing Around the RoomGap2SET 1
1992-04-05SunThe Fox TheatreBoulder, COBefore / afterAll Things ReconsideredGap2SET 2
1992-04-03FriSawatch Hall, Park Hyatt Beaver CreekAvon, COBefore / afterAll Things ReconsideredGolgi ApparatusGap2SET 1
1992-03-31TueThe Blue NoteColumbia, MOBefore / afterGlideRiftGap5SET 1
1989-05-28SunIan McLean's Party, Connie Condon's FarmHebron, NY
NoteFish drum solo.
Before / afterFunky BitchThe Mango SongGap2SET 2
1989-05-26FriValley Club CafeRutland, VTBefore / afterThe Mango SongBathtub GinGap1SET 2
1989-05-21Sun320 Spear StreetBurlington, VTBefore / afterWeekapaug GrooveDazed and ConfusedGap5SET 1
1989-05-13SatThe Orange GroveSyracuse, NYBefore / afterTake the 'A' Train> David BowieGap8SET 1
1989-05-01MonPearl Street BallroomNorthampton, MABefore / afterTake the 'A' TrainThe LizardsGap7SET 1
1989-04-20ThuHumphries House (The Zoo), Amherst CollegeAmherst, MA
NoteFish drum solo.
Before / afterYou Enjoy Myself >The LizardsGap2SET 2
1989-04-15SatBillings Lounge, University of VermontBurlington, VT
NoteWith drum solo.
Jam chartFirst recorded performance includes a Fish drum solo preceding the lyrical section "We breathe deep..." The jam is fairly intense but straightforward in structure.
Before / afterDivided SkySuzy GreenbergGap15SET 2
1989-03-03FriLiving and Learning Center, University of VermontBurlington, VTBefore / afterThe LizardsTake the 'A' TrainGap6SET 2