Debut 1985-04-06 · Last played 2026-07-22 · 494 performances
Gap — the number of shows the band played between one
performance of this song and the one before it.
← → the songs either
side, played as separate songs. > and
–> are phish.net’s own marks, and mean the
band ran them together rather than stopping between them.
2026-01-29ThuMoon PalaceCancun, Quintana RooBefore / afterDancing in MidairGap5ENCORE
2025-12-28SunMadison Square GardenNew York, NYBefore / afterSleepGap5SET 1
2025-09-16TueAmeris Bank AmphitheatreAlpharetta, GABefore / afterMonstersGap6ENCORE
2025-07-25FriBroadview Stage at SPACSaratoga Springs, NYBefore / afterLoving Cup >Gap6ENCORE
2025-07-16WedTD Pavilion at the MannPhiladelphia, PABefore / afterTwenty Years Later >Gap5SET 2
2025-07-09WedJerome Schottenstein CenterColumbus, OHBefore / afterThe Mango Song >Gap11ENCORE
2025-04-26SatHollywood BowlHollywood, CAJam chartExcellent, extremely fluid version with "old-school" overtones. Play is primarily straightforward, but there is beauty in this, given that one: The band quickly, and quite notably departs to jam (almost as if to atone for the absence of ideas of the "Oblivion" Trey aborts to -> into "Lope,"), and perhaps more importantly, two: Given the nature of the song, it is principally marked by Trey and Page's intricate play.Before / afterOblivion ->Beneath a Sea of Stars Part 1Gap4SET 2
2025-04-20SunModa CenterPortland, ORBefore / afterSigma Oasis> Say It To Me S.A.N.T.O.S.Gap6SET 1
2022-05-28SatThe Wharf AmphitheaterOrange Beach, ALBefore / afterIf I Could >Gap8SET 2
2022-02-25FriMoon PalaceCancun, Quintana RooBefore / afterWading in the Velvet SeaGap4ENCORE
2021-10-30SatMGM Grand Garden ArenaLas Vegas, NVJam chartFirst: Listen to the aud. Second: Inspired, given the evening's theme, the band is game. More so than most of late, the band dallies a bit, seeing "Lope" as playful as is ought to be, with all sorts of (and you don't even need to watch) smiling band intraplay. Page is of course crashing in on his keys; Mike is hammering from the start; and Fish is Phish (or close); but this version dominates because Trey attacks. No set-closure, we're early on here, and Trey makes that clear. When he works his effects before reaching for that peak, tune in. And keep listening - because it's false. And then we're in .....Before / afterTurtle in the CloudsCamel WalkGap4SET 1
2021-08-10TueHersheypark StadiumHershey, PABefore / afterDeath Don't Hurt Very Long >Gap6SET 1
2021-08-01SunAmeris Bank AmphitheatreAlpharetta, GAJam chartNo muss, no fuss, just a particularly cleanly played "Antelope" from early Summer 2021, with Trey's chops still in superb quarantine-honed shape. And the peak ain't too far away from the old days, either.Before / afterMeatGap7SET 1
2016-07-18MonBill Graham Civic AuditoriumSan Francisco, CAJam chartGreat percussion propels this bright, busy "Antelope," before Trey takes over, scattering some unexpected notes and nicely playing off Page. Skipping and dynamic riffing, coupled with nice tension, propels this solid version to a terrific show-ending peak.Before / afterWhen the Circus ComesGap4ENCORE
2016-07-09SatXfinity TheatreHartford, CTBefore / afterTwenty Years Later >> Backwards Down the Number LineGap4SET 2
2016-07-02SatSaratoga Performing Arts CenterSaratoga Springs, NYBefore / afterBouncing Around the RoomGap6ENCORE
2016-01-01FriMadison Square GardenNew York, NYBefore / afterLawn BoyGap5SET 1
2015-09-04FriDick's Sporting Goods ParkCommerce City, COBefore / after46 Days >Gap2SET 1
2015-08-22SatWatkins Glen InternationalWatkins Glen, NYJam chartWith an exception or two (11/30/94, 8/11/04), "Antelope" always begins and ends the same way. What's in between separates the great from the typical. This version nicely strays from the ranch from 4:50 - 6:15, and includes a nasty, gnarly and tension-loaded push to the peak.Before / afterUndermind >Gap3SET 1
2015-08-15SatMerriweather Post PavilionColumbia, MDHighly rated 88 · Listen
NoteMarco Esquandolas lyric changed to "Gaktoidler Esquandolas."
Jam chartA tasty prequel to the beloved Magnaball Antelope, this version quickly deconstructs the usual "Antelope" jam before Page and Trey have a fun solo-off, then moves into a tension-laden spaciness, before returning to "Antelope" proper. "Gacktoidler Esquandolas" from Trey in the Rye Rye Rocco section. Very fun version to close out the first set of a very fun show.Before / afterBlaze On >Gap4SET 1
2015-08-09SunAlpine Valley Music TheatreEast Troy, WIBefore / after> CariniGap6SET 2
2015-08-01SatAaron's Amphitheatre at LakewoodAtlanta, GA
2014-07-19SatFirstMerit Bank Pavilion at Northerly IslandChicago, ILBefore / afterHeavy Things >Gap3SET 1
2014-07-15TueCMAC Performing Arts CenterCanandaigua, NY
Jam chartDubbed "Fuegolope," there's a lot more to this strong "Type I" version than just teases, including a nice quiet section that builds with dissonance and tension to a fiery conclusion.
Before / afterThe Wedge >Gap2SET 2
2014-07-12SatRandall's IslandNew York, NYBefore / afterThe LineGap2SET 1
2014-07-09WedThe Mann Center for the Performing ArtsPhiladelphia, PABefore / afterSilent in the Morning >Gap4SET 1
2014-07-03ThuSaratoga Performing Arts CenterSaratoga Springs, NYBefore / afterSparkle >Gap7SET 2
2013-12-28SatMadison Square GardenNew York, NYBefore / afterWaiting All NightGap3SET 2
Jam chartJam starts out predictably enough, then surprisingly breaks into an upbeat major mode groove. Old school peak.
Before / afterCavern >Gap2SET 2
2012-12-30SunMadison Square GardenNew York, NYBefore / afterMy Friend, My Friend >Gap4SET 1
2012-09-01SatDick's Sporting Goods ParkCommerce City, COBefore / afterBackwards Down the Number LineGap2SET 1
2012-08-29WedOklahoma City Zoo AmphitheatreOklahoma City, OKBefore / afterStealing Time From the Faulty Plan >Gap3SET 1
2012-08-25SatAaron's Amphitheatre at LakewoodAtlanta, GABefore / afterJoy >Gap2SET 2
2012-08-22WedStarlight TheatreKansas City, MOBefore / afterFunky Bitch >Gap3SET 1
2012-08-17FriBill Graham Civic AuditoriumSan Francisco, CABefore / afterJoy >Shine a LightGap4SET 2
2012-07-06FriSaratoga Performing Arts CenterSaratoga Springs, NY
NoteTom Marshall and the Dude of Life on vocals; Lyrics changed to "Been you to have any spleef."
Before / afterSuzy Greenberg >Gap2SET 2
2012-07-03TueNikon at Jones Beach TheaterWantagh, NYJam chartRhythmic changes, mode changes, suspensions, and melodic variation are key elements which make a version, and thus more interesting than the typical "average-great" one. This strong old-school, new-sound version uses all of these.Before / afterThe Wedge >Gap3SET 2
NoteTrey teased Guyute instead of saying "Marco Esquandolas."
Jam chartArguably the most improvisational version in 15 years, with multiple sections and "Guyute" teases taboot. Fish is critical here in promoting shifts in the rhythmic structure throughout the jam. Check it out!Before / afterSaw It Again ->Gap3SET 1
NoteMarco Esquandolas lyric had "Marco" replaced with "Rich, let's hear it for him." subsequent lyrics were changed to "Been you to have any Electrolux?"
Jam chartShort but sweet 3.0 version with multiple "Boogie On Reggae Woman" teases and riffs throughout.
Before / afterBoogie On Reggae Woman >Gap3SET 2
2009-12-05SatJohn Paul Jones ArenaCharlottesville, VA
NoteAlternate lyrics referencing a naked stage crasher.
Jam chartVery different version with no real peak and no "Rocco" section. Instead the jam fades after 9:30 into a really nice little melodic groove that > "2001."
Before / after> Also Sprach ZarathustraGap5SET 2
2004-06-24ThuVerizon Wireless Music CenterNoblesville, INBefore / afterTubeThe WedgeGap10SET 2
2003-12-31WedAmerican Airlines ArenaMiami, FLBefore / afterHold Your Head UpGap5SET 3
2003-07-23WedVerizon Wireless Music CenterNoblesville, INJam chartGets into a nice swinging, upbeat movement at 5:20 which continues until about 9:00 before getting back to "Antelope." Few versions since 1995 get as far removed from the basic "Antelope" jam as this one.Before / afterBuffalo BillThunderheadGap5SET 2
2003-07-17ThuVerizon Wireless Amphitheater Kansas CityBonner Springs, KS
Jam chartJam breaks into an upbeat, major mode groove from 5:00 - 7:30 before returning to standard "Antelope."
1999-12-08WedCumberland County Civic CenterPortland, MEJam chartPer @sandyfr "Closing a strong first set, this Antelope starts with some classic siren loops, before moving beyond the standard fare around 9:00, gradually losing any form of sensible key. The music morphs into an atonal wall of filthy harsh noise, as the alien mix of shoegaze and free jazz create a swirling tornado of cacophony."Before / afterSilent in the MorningGap5SET 1
1999-12-02ThuThe Palace of Auburn HillsAuburn Hills, MIBefore / afterRoggaeWading in the Velvet SeaGap3SET 1
1999-10-08FriNassau Veterans Memorial ColiseumUniondale, NYBefore / afterMeatstickGap5SET 1
1999-09-21TuePima County FairgroundsTucson, AZHighly rated 93 · ListenJam chartA killer Antelope that starts off with swirling, whirling loops and a relaxed energy typical of Fall '99, builds up tension by Trey playing some stabbing chords, then builds to a ferocious peak. Proof positive that Antelope still had its fastball even after the mid-90s.Before / afterDirtGap4SET 2
1999-08-01SunNaeba Ski ResortNiigata, NiigataBefore / afterBouncing Around the Room >Gap5SET 1
1999-07-25SunDeer Creek Music CenterNoblesville, INHighly rated 86 · ListenJam chartViewed as a groove-based jam, there is a lot of improvisation going on including some great syncopated jamming (which occurs again in the excellent "Suzy" that follows). But compared to versions from 1994 and earlier, there is no radical departure from the basic song structure other than a brief settle. For this period however, it stands out.Before / afterWalk Away >> Suzy GreenbergGap9SET 2
1999-07-13TueTweeter CenterMansfield, MABefore / afterMountains in the Mist> PossumGap7SET 2
1999-07-03SatLakewood AmphitheatreAtlanta, GABefore / afterMountains in the Mist> ContactGap3SET 2
NoteLyrics were changed to "suck the deershit from this side of the hole."
Jam chartOne of the longest versions to date. A bright, playful intro leads into a mellow groove, typical of Fall '98 "Antelopes", but what makes this version stand out is all of the little guitar flourishes. Amid the tranquility of the other members' playing, Trey brings novelty, dissonance, and a call to ramp up the intensity - which is happily obliged. The groove gives way to a brooding march and more standout play from Trey leading into more playfulness in the "Rye Rye Rocco" section.Before / afterThe SlothGap3SET 1
1998-11-08SunUIC Pavilion, University of IllinoisChicago, ILBefore / afterWading in the Velvet SeaGap6SET 2
1998-10-30FriThomas & Mack CenterLas Vegas, NVHighly rated 85 · ListenJam chartA minute of exploratory action (6:20 - 7:20) in a jam that otherwise is straightforward. But following "Rocco" there several minutes of eerie and spacey effects and chanting by Trey before the final closing.Before / afterLong Cool Woman in a Black DressGuelah PapyrusGap7SET 1
1998-04-03FriNassau Veterans Memorial ColiseumUniondale, NYHighly rated 89 · Listen
Note"Carini's gonna getcha" sung several times in intro. "Carini" spoken later in the song.
Jam chartFish says, "If you're gonna run up on the stage, just don't let Carini get you" in the intro. This prompts hilarious "Carini's gonna get you" harmonizing throughout the song. Intense straightforward version with Funky Mike in the "Rocco" section.Before / afterLoving Cup >Gap4SET 2
1997-12-06SatThe Palace of Auburn HillsAuburn Hills, MIHighly rated 86 · ListenJam chartFrom a show known for its indelible second set, this terrific Fall '97 version lights up the first frame in the two-hole with a uniquely funky opening and then builds to full-power with heavy effects use from Trey. Thanks for the head's up from @jmart in getting this readded to the chart.Before / afterGolgi ApparatusTrain SongGap4SET 1
1997-11-30SunWorcester Centrum CentreWorcester, MABefore / afterWhen the Circus ComesGap5SET 2
NoteWhistling in both the opening section and closing "Marco Esquandolas" section.
Before / afterGuyuteGap4SET 1
1997-08-14ThuDarien Lake Performing Arts CenterDarien Center, NY
Jam chartGets beyond "Antelope" at several points, including brief major mode action (5:40 - 6:30), rhythmic variation, a brief settle, and good tension building before mounting a serious and dissonant peak.
Before / afterBilly BreathesGap2SET 1
1997-08-11MonDeer Creek Music CenterNoblesville, IN
Note"Rye Rye Rocco" section included Page on theremin.
Jam chartThe jam veers away from the normal structure several times, adding tension and anticipation when it returns to "Antelope."
Before / afterHornGap4SET 1
1997-08-06WedRiverport AmphitheaterMaryland Heights, MOHighly rated 86 · Listen
NotePage on the theremin and Mike on a fretless bass.
Jam chartNot way out there but has several sections that stretch beyond the typical structure, including a great "Makisupa" jam in the "Rocco" section with Page on theremin and Mike on a mini-drum.
Before / afterSample in a JarGap5SET 2
1997-07-29TueDesert Sky PavilionPhoenix, AZHighly rated 89 · ListenJam chartAwesome, extended, and uniquely remarkable version that departs into a low-key, melodic and exploratory groove that has moments of really beautiful, major mode jamming before working back into nasty old "Antelope."Before / afterOlivia's Pool> Wading in the Velvet SeaGap16SET 2
Jam chartRhythmic-oriented jam that is ripe with great tension and dissonance.
Before / afterTweezer Reprise >Gap3SET 2
1995-12-04MonMullins Center, University of MassachusettsAmherst, MABefore / afterYa MarBilly BreathesGap3SET 2
1995-11-30ThuErvin J. Nutter Center, Wright State UniversityDayton, OH
Jam chart"Tweezer" -> "Makisupa" -> "Antelope." An excellent and intense though largely straightforward version which includes some "Tweezer" teases in the "Rocco" section.
Before / afterMakisupa Policeman >> Scent of a MuleGap2SET 2
1995-11-28TueKnoxville Civic ColiseumKnoxville, TNBefore / afterHold Your Head Up> ContactGap3SET 2
1995-10-28SatThe Palace of Auburn HillsAuburn Hills, MIBefore / afterPrince CaspianGap3SET 1
1995-10-24TueDane County ColiseumMadison, WIHighly rated 90 · ListenJam chartAlthough largely "Type I," this version is one of the most thrilling and intense ever. The tension and tempo start to crank up after 8:00, and even more so after 10:00. At 11:30 it sounds like "Rocco" is starting with no peak, but then there's a cool, thrumming jam section that sounds like an Antelope running, before building to the expected peak.Before / afterSleeping Monkey >ContactGap3SET 2
1995-10-20FriFive Seasons ArenaCedar Rapids, IABefore / afterBouncing Around the Room >Gap5SET 2
1995-10-07SatSpokane Opera HouseSpokane, WABefore / afterWilson >Gap4SET 1
1995-10-02MonSeattle Center ArenaSeattle, WABefore / afterThe LizardsGap1SET 2
1995-09-30SatShoreline AmphitheatreMountain View, CA
Jam chartGood improvisational version with rhythm shifts and great tension.
Before / afterHornI'm Blue, I'm LonesomeGap2SET 1
1995-09-28ThuSummer Pops, Embarcadero CenterSan Diego, CABefore / afterSample in a JarGap2SET 2
1995-07-03MonSummerstage at Sugarbush NorthFayston, VT
Jam chartDark and intense jam with healthy doses of tension and dissonance. Dizzying buildup to the peak with ballistic Fish.
Before / afterPoor Heart >Loving CupGap3SET 1
1995-06-30FriGreat Woods Center for the Performing ArtsMansfield, MA
NoteLyric changed to "Suck the deer shit from the side of this hole."
Before / afterFee ->Gap3SET 1
1995-06-26MonSaratoga Performing Arts CenterSaratoga Springs, NY
Jam chartLargely straightforward, but blistering hot jam with great playing by Fish and Page.
Before / afterStrange Design >Gap3SET 2
1995-06-23FriWaterloo VillageStanhope, NJHighly rated 87 · ListenJam chart1995's most exploratory, improvisational version. One of the "Antelope" clan which weaves back and forth between familiar ground and improvisation. The jam here gets out into some spacey and eerie Summer '95-style territory.Before / afterThe WedgeHarpuaGap3SET 2
1995-06-19MonDeer Creek Music CenterNoblesville, IN
Jam chartDissonant version with a little brief funky Page action thrown in the mix before returning for a blistering peak.
NoteLyrics were changed to "suck the deershit from this side of this hole."
Jam chartThrashing, dissonant, innovative and unusual "Antelope" jamming, it's all here, including an excellent "The Force Theme from Star Wars" tease in the jam. "Suck the deer shit from the side of this hole!"Before / afterIf I CouldGap3SET 1
1994-12-06TueUCSB Events Center, University of California-Santa BarbaraGoleta, CABefore / afterForeplay/Long TimeGap2SET 2
Jam chartAnother solid '94 "Antelope," with descending melodies, tension, dissonance, rhythmic variation, and a noisy, chaotic peak.
Before / afterScent of a MuleGuyuteGap3SET 1
1994-11-30WedCampus Recreation Center, Evergreen CollegeOlympia, WA
NoteUnfinished.
Jam chart"Antelope" -> "MSO" -> "Antelope" -> "Fixin' To Die." Awesome Fall '94 improvisation. The first section of "Antelope" is strong but par for this period. However the section following "MSO" includes some excellent, experimental jamming, and segues smoothly into the band's only electrified version of "Fixin' To Die".Before / afterHalley's Comet >-> My Sweet OneGap3SET 2 · 2×
1994-11-25FriUIC Pavilion, University of IllinoisChicago, ILBefore / afterHold Your Head UpGap4SET 2
1994-11-19SatIndiana University AuditoriumBloomington, INBefore / afterMy Long Journey HomeI'm Blue, I'm LonesomeGap4SET 1
1994-11-16WedHill Auditorium, University of MichiganAnn Arbor, MI
Jam chartA thrilling ripper with lots of improvisational jamming. Following "spike, man" they tease or start into "Have Mercy" but quickly bail.
Jam chartGood solid improvisation in several parts, loads of tension with great playing by Fish and Page, and a full-throttle peak.
Before / afterSilent in the MorningGap5SET 1
1994-10-31MonGlens Falls Civic CenterGlens Falls, NY
Jam chartWell-played, mostly straightforward version. Shows just how strong 1994 was for "Antelope" that this one barely makes the cut.
Before / afterPoor HeartGap1SET 3
1994-10-29SatSpartanburg Memorial AuditoriumSpartanburg, SCJam chart"Antelope" -> "Sleeping Monkey" > "Antelope." Fantastic improvisational playing with all the good '94 stuff combined with a seamless segue, then a return to "Antelope" for more exploratory jamming. Great version and song pairing.Before / afterHold Your Head Up-> Sleeping MonkeyGap3SET 2 · 2×
1994-10-26WedVarsity Gym, Appalachian State UniversityBoone, NC
Jam chartGood exploratory section from 5:00 - 6:20, back to "Antelope," more foraging and then dramatic tension ratcheting.
Before / afterThe Old Home Place >If I CouldGap4SET 2
1994-10-08SatPatriot Center, George Mason UniversityFairfax, VA
Jam chartThis is what an "Antelope" on steroids sounds like. Pretty high up there in the Intensity Hall of Fame.
Before / afterLawn Boy >Gap2SET 1
1994-07-16SatSummerstage at Sugarbush NorthFayston, VTHighly rated 90 · Listen
NoteSimpsons signal.
Jam chartWild-Ass crazy version from the last show of Summer '94 includes a -> to "Catapult," -> back to "Antelope," hilarious and related Fish/Trey wedding banter, lots of blood curdling screaming and yelling, and belligerent playing by all.Before / after-> CatapultGap2SET 2 · 2×
1994-07-14ThuFinger Lakes Performing Arts CenterCanandaigua, NY
Jam chartInsanely intense, driving, and dissonant jam, with excellent Fish just hammering away.
Before / afterSilent in the MorningGap3SET 1
1994-07-09SatGreat Woods Center for the Performing ArtsMansfield, MA
Jam chartAnother strong version that weaves back and forth between "Antelope" and little brief departures.
Before / afterSilent in the Morning >Gap4SET 1
1994-07-03SunThe BallparkOld Orchard Beach, MEHighly rated 88 · Listen
Jam chartExcellent, intense and cacophanous version where the band plays along to a 4th of July fireworks display. Released on FTA - Super Ball IX Part I.
Before / afterThe Squirming Coil> Suzy GreenbergGap3SET 2
Jam chartFar-ranging jam that gets well beyond standard "Antelope." Incredibly intense but not chaotic. Great strumming by Trey in the peak section.
Before / afterHarpuaHold Your Head UpGap4SET 2
1994-06-24FriMurat TheatreIndianapolis, INHighly rated 93 · ListenJam chartVery improvisational and multi-faceted version with several distinct "Type II" sections, including an uplifting "DwD" jam near the end. Released as filler for Live Phish Vol. 10. A heavyweight among "Antelopes."Before / afterDemand >Halley's CometGap4SET 2
Jam chartTypically great '94 thrashing "Antelope" stuff until 6:25 when the jam breaks into a good settled section that percussively rebuilds with wild dissonance and buckets of tension.
Note"Been you to have any cantaloupe" repeated multiple times.
Jam chartThrilling, intense, improvisational, and rocking power jam, followed by an extended "Rocco" section with whispering Trey: "Been you to have any cantaloupe?"
Before / afterWilsonIf I CouldGap3SET 2
1994-05-20FriCampus Recreation Center, Evergreen CollegeOlympia, WA
Jam chartWeird, experimental jamming with lots of angry dissonance, tempo changes, and a crazy build to the peak. Then at the very end, there is a cool Trey solo with subtle backup from the others.
Before / afterAlso Sprach Zarathustra >> WeighGap3SET 2
Jam chart"Antelope" ("Type II") -> "BBFCFM ("Type II") -> "Antelope" ("Type II"). A truly amazing jam which like 8/14/93 combines incredible improvisation with inspired melodic and musical magnificence. Released on Live Bait Vol. 8.Before / afterAlso Sprach Zarathustra >-> Big Black Furry Creature from MarsGap3SET 2 · 2×
1994-05-12ThuBuena Vista TheaterTucson, AZBefore / afterAlso Sprach Zarathustra >> The HorseGap2SET 2
1994-05-08SunThe BackyardBee Cave, TXJam chartImagine a crazed and panic-stricken Antelope crashing through forests and fields in a desperate attempt to escape some ill-tempered multibeast. Eventually, it succeeds, living to "Run" another day. That about sums up this one.Before / afterAlso Sprach Zarathustra >It's IceGap3SET 2
1994-05-04WedState Palace TheatreNew Orleans, LAJam chartThis is a very sick and demented version, with someone (Fish?) screaming in the background at various points. Trey dedicates the jam to a good friend's baby, just then being born, and suggests naming him/her Marco Esquandolas.Before / afterBouncing Around the RoomGap5SET 2
Jam chartOne of those great probing versions that leaves "Antelope," comes back briefly, leaves again, home again, off again, etc. etc.
Before / afterAlso Sprach Zarathustra >The HorseGap3SET 2
1994-04-10SunAlumni Arena, SUNY BuffaloBuffalo, NY
Jam chartJam starts off with some good rhythmic changes, builds in tension, then there is a major break at 6:55 into some great and cool exploratory jamming which gets back to "Antelope" by 9:25.
1993-12-31FriWorcester Centrum CentreWorcester, MA
NoteTom Marshall on vocals.
Before / afterI Didn't KnowGap2SET 1
1993-12-29WedNew Haven Veterans Memorial ColiseumNew Haven, CT
Jam chartStrong '93 version that has a very unsual quiet section from 6:35 - 8:35 before returning to "Antelope."
Before / afterFluffhead >> ContactGap2SET 2
1993-08-28SatWilliam Randolph Hearst Greek Theatre, University of California, Berkeley Berkeley, CAHighly rated 90 · Listen
NoteSimpsons signal.
Jam chartMore incredible August '93 improvisation, with this version containing five distinct, magnificent jam sections, a Brady Bunch theme tease, and Secret Language.
Before / afterRiftThe HorseGap3SET 2
1993-08-24TueCommodore BallroomVancouver, British Columbia
Jam chartAnother strong August '93 "Antelope," with dissonance, improvisation, and shredding by Trey.
Jam chartVery improvisational version with several good twists and turns including a jam on "CYHMK."
Before / afterRiftGap4SET 1
1993-08-14SatWorld Music TheatreTinley Park, ILJam chart"Antelope" -> "Sparks" -> "Walk Away" -> "Antelope" -> "Have Mercy" -> "Antelope." In very good company with other major segue-fests, including the "Tweezerfest" (5/7/94) and "Stash" (11/14/95). What distinguishes this epic version is that strong improvisation is combined with melodic beauty that at times is even upbeat and inspirational. But it's also "Antelope" so expect no shortage of tension and dissonance either!Before / afterAlso Sprach Zarathustra >-> SparksGap3SET 2 · 3×
Jam chartFrenetic playing and lots of little brief departures that stretch the boundaries of "Antelope" and then keep coming back. Trey's playing is incredible. Released on Live Bait Vol. 4.
Jam chartSearing hot and extremely improvisational jamming, with several false peaks followed by gut-wrenching tension.
Before / afterPoor Heart >FahtGap3SET 2
1993-07-18SunIC Light AmphitheaterPittsburgh, PAHighly rated 86 · ListenJam chartBegins with a jam on "Heartbreaker" right off the bat, followed by a rocking, exploratory jam. The band then plays along with nearby fireworks which sounds similar to a "BBJ." Finally, they start into "Brother" but shift back to finish "Antelope."Before / afterPoor Heart >MoundGap2SET 2
1993-07-16FriThe Mann Center for the Performing ArtsPhiladelphia, PA
Jam chartRocking version includes a brief jam on Pink Floyd's "Money" (4:45 - 5:20) followed by fantastic, very exploratatory jamming. Intense conclusion to the jam with Trey just shredding away.
Before / afterFeeGap3SET 1
1993-04-24SatCheel Arena, Clarkson UniversityPotsdam, NY
Jam chartFrenzied and chaotic version that briefly pushes out beyond standard "Antelope" several times. Page expertly adds dissonance to the harmonics.
Jam chartSome cool "Cities" teases in the intro (last performance 9/13/88). The jam starts with a brief jam on Santana's "Gypsy Queen," then breaks into several distinct sections of perhaps not beautiful, but VERY exploratory jamming. Returns to "Antelope" with several peaks and Trey shredding.Before / afterSweet AdelineGap3SET 1
Jam chartSome very good exploratory jamming midway, with lots of descending melodic lines from Trey. Great tension as the jam builds up with excellent work by Trey.
Before / afterMemoriesSweet AdelineGap25SET 1
1992-07-18SatThe Mann Center for the Performing ArtsPhiladelphia, PABefore / afterRiftGap3SET 1
NoteSimpsons signal in intro; Up Up and Away signal.
Jam chart"Antelope" -> "BBFCFM" -> "Antelope." Intense, dark and exploratory jam in "Antelope" morphs and segues, then morphs again into Hawaiian/Three Stooges humor before return to "Antelope" to conclude. One of the best "Antelopes" ever.Before / afterFluffhead-> Big Black Furry Creature from MarsGap3SET 1 · 2×
NoteA foul-up near the end when Fish attempted to end the song too early; and Charlie Chan and Simpsons signals during the final rave-up.
Before / afterHold Your Head UpGap6SET 2
1991-11-02SatLory Student Center Theatre, Colorado State UniversityFort Collins, COBefore / afterGolgi ApparatusThe Man Who Stepped Into YesterdayGap3SET 2
NoteThree Charlie Chan signals and How High the Moon, Tritone Down and Oom Pa Pa signals.
Jam chartThe jam breaks beyond "Antelope" several times and keeps circling back. Nice screaming by someone (Fish?). Fish is awesome in this version which also has many signals (see Setlist).
Note"Reverend" Jeff Mosier on banjo and Oteil Burbridge on bass.
Jam chartAwesome version with the "Reverend" Jeff Mosier on banjo and Oteil Burbridge on bass. Great intro, good jam with a huge peak, and then a cool breakdown jam featuring the bass acompanied with scat singing.Before / afterUncle PenMike's SongGap2SET 2
1990-05-30WedThe Pterodactyl ClubCharlotte, NCBefore / afterBouncing Around the RoomLawn BoyGap4SET 2
1990-05-23WedThe LibraryRichmond, VABefore / afterTake the 'A' Train >Gap11SET 2
1990-04-28SatThe Strand TheaterDorchester, MAJam chartBreaks from the standard at about 5:30 into a dissonant and somewhat jazz-like foray with excellent Mike and Fish. No real return to "Antelope" before the "Rocco" section, which is nicely extended, cool and funky.Before / afterFoamLawn BoyGap1SET 1
Jam chartThe Set 3 closer in a famous, early show. The intro is raucous and tease-filled, with all kinds of inventive riffs from Trey. Strong play all around, with a surprise Rocco section.
1988-07-30SatThe RomaTelluride, COJam chartSweet Mike in a straightforward jam, then hilarious Trey banter near the conclusion referencing Fish's mysterious and unexpected absence earlier in the show. Excellent quality recording available from Live Phish for $0.99.Before / afterTerrapinGap4SET 4
1988-07-24SunNectar'sBurlington, VTJam chartJam builds up in conventional form until 7:30 when it breaks down into a low-key groove with great Mike and Trey. The energy rebuilds into a standard "Antelope" jam, but with an Allman Brothers-like vibe, then the tape runs out near the end.Before / afterMcGrupp and the Watchful Hosemasters ->Gap1SET 3
Jam chartExcellent jam that has a very bluesy feel to it, plus nimble and nasty guitar licks from Trey.
Before / afterContactGap6SET 2
1988-05-24TueNectar'sBurlington, VTJam chartThe first truly "Type II" version (beginning about 10:00) has a settled section with some "DEG"-like jamming. This version also has sections of intense, chaotic dissonance and great Machine Gun Trey action.Before / afterHarpuaGap14SET 3
1988-04-22FriUniversity of VermontBurlington, VTBefore / afterAlumni Blues >Gap10SET 2
1985-11-23SatGoddard CollegePlainfield, VTBefore / afterWhipping Post-> Dave's Energy GuideGap5SET 2
1985-10-17ThuFinbar'sBurlington, VTBefore / afterCamel WalkMcGrupp and the Watchful HosemastersGap4SET 1
1985-09-26ThuWRUV RadioBurlington, VTBefore / afterAlumni BluesDave's Energy GuideGapNot a showSET 1
1985-05-03FriUniversity of VermontBurlington, VTJam chartFirst recorded performance. -> in from "Makisupa." Jam section only of "Antelope" is played at a slower tempo, but otherwise has crescendo building characteristics similar to modern versions. -> to the debut of the Grateful Dead's "The Other One."Before / afterMakisupa Policeman >-> The Other OneGap7SET 3